Nick Drake Bryter Layter

Nick Drake’s Best Album: Bryter Layter


English folkie Nick Drake barely created a ripple during his lifetime. He recorded three albums of beautiful acoustic folk, but barely sold a copy during his lifetime. His acoustic music was sophisticated, with flourishes of jazz, and his acoustic guitar finger-picking was beautiful; he used alternative tunings to create tone clusters. Drake studied English literature at Cambridge and enjoyed the poetry of Yeats, Blake, and Vaughan; his lyrics have the same evocative spirit, with images drawn from nature.

Nick Drake passed away in 1974 from an overdose of anti-depressants, leaving a legacy of three studio albums. He didn’t enjoy playing live, and languished in obscurity despite his immense talent. The release of the Fruit Tree box set in 1979, shout-outs from famous fans like The Cure’s Robert Smith and R.E.M.’s Peter Buck, and the use of his song ‘Pink Moon’ in a US car commercial all contributed to Nick Drake’s growing stature.

By the 1990s, Nick Drake’s work, overlooked at the time, had been reassessed. Drake’s three albums are now all critically acclaimed.

Why Bryter Layter is Nick Drake’s Best Album

Each of Nick Drake’s three studio albums provide a different angle on his acoustic folk sound. His 1969 debut, Five Leaves Left, is a pretty mood piece, with Drake’s guitar often accompanied by the bass of Danny Thompson (from contemporary folk-rock band Pentangle) and by Robert Kirby’s string arrangements. 1971’s Bryter Layter is more detailed – Drake is accompanied by a rhythm section on almost every tune. 1972’s final album, Pink Moon, is stark, with Drake performing completely solo – it was recorded quickly in two late night sessions.

Additionally, Time of No Reply and Made to Love Magic are overlapping compilations that mop up Drake’s studio out-takes, most notably the four songs that he recorded in July 1974. It’s worth hearing one of them, but they’re not as essential as his studio records.

All of Nick Drake’s albums require some persistence to enjoy, as Drake’s songs are subtle and nuanced, but the diversity of Bryter Layter makes it the most accessible. The fuller sound also helps; the Fairport Convention rhythm section of Dave Pegg and Dave Mattacks appear, while Fairport guitarist Richard Thompson plays lead guitar on ‘Hazey Jane II’. Robert Kirby reprises his role of orchestral arrangements from Five Leaves Left, although John Cale’s beautiful arrangements on ‘Fly’ and ‘Northern Sky’ are next level.

Choosing a favourite Nick Drake album is purely an academic exercise, as all three are essential, but it’s the magical contributions of the other musicians, particularly John Cale, that elevate Bryter Layter as Nick Drake’s best album.

Key Tracks

One of These Things First

On the gentle and jazzy ‘One of These Things First’, Drake is joined by a cast of American musicians – rhythm section Ed Carter and Mike Kowalski were both involved with The Beach Boys, while pianist Paul Harris later joined Stephen Stills in Manassas. The gently meditative song was later featured in the film Garden State.


John Cale, at a loose end after his dismissal from The Velvet Underground, was sent a demo from Drake. Cale was impressed by Drake, particularly his “sensuality”, and added his arrangements to two songs on Bryter Layter. The classically trained Cale is a terrific foil for Drake, adding an exquisite beauty to his songs without drowning them in sentimentality. ‘Fly’ is the more ethereal of Cale’s two arrangements, with his viola colouring Drake’s delicate song.

Northern Sky

The other song arranged by Cale, ‘Northern Sky’ is a romantic tale of wistful longing. While the subject of the song has never been confirmed, it was reported to have been inspired by Linda Thompson. Cale augments the song with beautiful work on celeste, piano, and organ.

Do the Experts Agree?

None of Nick Drake’s records were popular upon release, and none charted.

A contemporary review of the compilation Nick Drake in Rolling Stone by Stephen Holden read: “An incredibly slick sound that is highly dependent on production values (credit Joe Boyd) to achieve its effects, its dreamlike quality calls up the very best of the spirit of early Sixties’ jazz-pop ballad. It combines this with the contemporary introspection of British folk rock to evoke a hypnotic spell of opiated languor.”

On the website Rate Your Music, all three Nick Drake albums are currently ranked among the top 200 albums of all time. Bryter Layter is the lowest, at #194.

On the website Acclaimed Music, all three Nick Drake albums are currently ranked among the top 300 albums of all time. Bryter Layter is ranked second of Drake’s albums, at #264.

All three of Nick Drake’s albums are included in the original edition of 1001 Albums You Must Hear Before You Die.

What do you think the best Nick Drake album is? Do you enjoy this record?


Nick Drake Album Reviews


1970s Album Reviews


  1. I tend to gravitate towards Five Leaves Left as my favorite Nick Drake album, but I think the beauty of Fly and Northern Sky is unparalleled in his short discography.

    By the way, speaking of Joe Boyd, his production, and R.E.M., I think it is pretty cool that the guys went to England to record their third record with him, which was a very unusual choice. I know the period they spent there was not exactly positive, and I know many regard Fables of the Reconstruction as the weakest moment of their magnificent opening run of albums, but I love it.

    • Yeah, it’s those two Cale tracks that push it over the top for me. Would have been great to have Cale more involved.

      I like Fables fine – Buck’s certainly a guy with a pretty good grasp on rock history. I think I read that he met Stipe because they’d both chase after the same collectible LPs.

      • It certainly would. I wonder what Cale and him could have done together.

        Yeah, Buck’s pretty insightful in that matter. Sometimes I feel there is no rock album of importance he hasn’t listened to. And yes, I think that is how they met; if I am not mistaken Stipe used to hang around the music store where Buck worked.

  2. It took me a few listens to appreciate Nick Drake but I do. I’ve heard part of albums by friends but I need to listen to his complete albums. The album I heard most is Pink Moon years ago. His songs can be complex and haunting. What I appreciate most is the superb songwriting.

  3. As you say, to almost an academic subject all his records are pretty good but anything that’s got ‘northern sky’ on it is going to stand out . I like pink moon best but it’s the first record I heard by him- first impression!

  4. There is a sense that such s short discography almost defies ranking. Three albums with the melancholy though line of Drake’s muse, all with different textures. Because I’m drawn to Nick Drake by introspective currents, I also gravitate to Five Leaves, but I wouldn’t turn that into a ‘vote’ per se. Somehow the story overshadows anything but personal responses.

    Nice post.

  5. I’ve just this minute put this on. It’s my favourite of the three purely because it has One Of These Things First. That was the first song of his I heard and so this was the album I delved into.

    Hazy Jane II is exceptional too. The horns are just perfectly placed… and it’s great for grabbing you right away. Very inviting.

    And, of course, Northern Sky is something else entirely.

      • The arrangement is very inviting. Kinda unexpected, I guess.

        I think I’ll give the other albums a listen this week too.

        • I feel like I still need to spend time with Five Leaves Left sometime – it’s a pretty dense record with a lot going on, and can be hard to unpack because it’s very stylistically uniform.

          • I’d agree with that. I think I probably spent more time with it during the ‘getting to know you’ stage. More time than with the others.

          • Yes. I can’t remember exactly when I picked the albums up, but I would guess it was early 2000’s – a few months after reading about him in a copy of Uncut magazine (One Of These Things First was on the CD).

          • Hit send without finishing! Jeez. Anyhoo, I was gonna say that in that time I probably spent more time getting to know it than revisiting it (if that makes sense).

          • By the time I was into music, Drake was basically canon and more famous than his English folk-rock contemporaries like Fairport Convention, John Martyn, Pentangle, etc.

          • It was a fair few years before I’d get to any of them and even at that, John Martyn was the only one I was really aware of.

  6. Each of the three is different, like you say. He was still developing on Five Leaves Left and Pink Moon was a very intense sort of “farewell.” Bryter Layter is his fullest and most solid record and probably the easiest to listen to. The instrumentals on here are gorgeous, too, and don’t get enough attention.

    I profiled Drake for Goldmine magazine back in 1992 and had the good fortune to correspond with his mother, Molly, just before she died. She was a sweet woman.

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