Tintin Books: Ranked From Worst To Best

Belgian cartoonist Georges Remi, better known as Hergé, published the first Tintin adventure in the Catholic magazine Le Vingtième Siècle in 1929. The final, unfinished Tintin book, Tintin and Alph-Art, appeared in 1986, three years after Hergé’s death. During that time, Tintin evolved; the first volume, Tintin in the Land of the Soviets, is clumsy anti-communist propaganda, while later volumes are better researched and less xenophobic.

The series captures 20th-century history, providing a lens on events like the Cold War and the 1931 Manchurian Incident. The boy reporter never filed a story but enjoyed plenty of action, thwarting forgers and scaling the Himalayas.

This is usually a music blog but, given the name “Aphoristic Album Reviews”, comic book albums qualify. Here are my rankings for the 24 Tintin adventures. My favourites largely come from the 1940s and 1950s; the series had matured and Hergé had developed important support characters like Captain Haddock and Professor Calculus.

Tintin Books Ranked

#24: Tintin in the Land of the Soviets

1930
Hergé’s first Tintin story is primitive compared to his later work. The illustrations are rudimentary and it wasn’t issued in colour until 2017, but it’s the flimsy plotline that’s more of an issue. No-one reads Tintin for realism, but the incident when Tintin carves two aeroplane propellers from a tree, using only a penknife, pushes credibility. Even more troubling is that, compared to Hergé’s later, carefully researched works, Tintin in the Land of the Soviets is effectively an anti-Marxism pamphlet in the form of a comic book.


#23: Tintin in the Congo

1931
Congo is another formative work from Hergé – again, it was developed as propaganda, extolling the benefits of Belgian colonialism. It’s a step forward from Land of the Soviets in terms of storytelling and it’s been available in colour for longer. But it’s disorienting to see our hero demeaning a “rotten little train” and blowing up a peacefully grazing rhinoceros with dynamite.


#22: Tintin and Alph-Art

1986
Alph-Art was incomplete at the time of Hergé’s death, but it’s a radical departure from his other work. The draft sketches have been released as an album, but the plot-line is left unfinished. Some of the unfinished sketches at the end present surprising possibilities – a hashish smoking, modern art-connoisseur Captain Haddock and the unlikely return of arch-nemesis Rastapopoulos.


#21: Tintin in America

1932
Hergé still hadn’t hit his stride by the third Tintin book – it abandons any form of a plot for a series of improbable escapes. Following the racism of Tintin in the Congo, there’s a more developed social conscience here. There’s a sympathetic portrayal of Native Americans displaced by their land by oil barons, although Tintin is largely an oblivious tourist.


#20: The Crab with the Golden Claws

1941
The Crab with the Golden Claws is notable for the introduction of the irascible Captain Haddock, who enlivens the rest of the series as a more human counterpoint to the boy-scout purity of Tintin. But the plot is a tame retread of Cigars of the Pharaoh, set in Morocco instead of Egypt and India.


#19: Cigars of the Pharaoh

1934
The first part of a two-volume series, culminating in The Blue Lotus. The story’s too fast-paced and fanciful to rate among the best Tintin books – in particular, Tintin’s unplanned escape from Egypt to the exact location of the villains in India stretches credibility. The story introduces important secondary characters – the detectives Thompson and Thomson, and Rastapopoulos.


#18: The Broken Ear

1937
The Broken Ear is a solid early story that references the war between Bolivia and Paraguay in the 1930s. Onto its sixth volume, Tintin is still struggling to find the correct tone; The Broken Ear bounces between whimsical and macabre.


#17: The Shooting Star

1942
The first Tintin story originally issued in colour, The Shooting Star is a fun nautical adventure that features Captain Haddock after his debut in The Crab with the Golden Claws. The Shooting Star was published during the Second World War, while Belgium was under the control of the Nazis. Americans were originally portrayed as the main villains before it was redrawn with the made-up country of São Rico in later editions. It’s a shame that the negative portrayals of Jews weren’t removed in later editions.


#16: Red Rackham’s Treasure

1944
After the excellent setup of The Secret of the Unicorn, the payoff in Red Rackham’s Treasure is a little disappointing. The story is padded out by long days of pumping and diving, making it more repetitive than most Tintin adventures. It does introduce Professor Calculus, who doubles as a brilliant scientist and a hard-of-hearing humour device.


#15: Tintin and the Picaros

1976
Tintin and the Picaros was the final completed Tintin book. Tintin’s change to flared trousers, and a motorcycle helmet with an anti-nuclear symbol, caused consternation with some fans. It feels a little stale in places but most of the adventures with Haddock and Calculus in tow outshine the early books without them.


#14: Flight 714 to Sydney

1968
Flight 714 was written at a time when Hergé’s productivity was slowing dramatically – its predecessor The Castafiore Emerald was written in 1963, and follow-up Picaros didn’t arrive until 1976. Possibly bored with Tintin, Hergé pushes the boundaries of the format with an unexpected ending, but it’s still a worthy Tintin adventure.


#13: The Secret of the Unicorn

1943
Captain Haddock was introduced a couple of adventures earlier but entered the spotlight for The Secret of the Unicorn. Haddock adds personality to the mystery of a sailing ship that Tintin finds in a market. After publishing the story of the Captain’s ancestor, Admiral Haddock, Hergé discovered that an actual Sir Richard Haddock served as Admiral in the British navy in the same era.


#12: The Castafiore Emerald

1963
The Castafiore Emerald is an anomaly among the Tintin books, as the action barely shifts from inside the gates of Marlinspike Estate. Like Flight 714, it indicates some boredom with the Tintin format, but it’s very good all the same. The well-developed characters are entertaining even in the absence of exotic settings and political intrigue.


#11: The Blue Lotus

1936
The Blue Lotus is the biggest step forward in the Tintin catalogue – it marks the point when Hergé started researching his locations more deeply. The sudden transformation of Tintin from cavalier colonialist to defender of the downtrodden gives the series depth. The plot drops the manic escapades of early Tintin for more dignified and character-driven storytelling.


#10: The Black Island

1938
Tintin visits Scotland on his seventh adventure. The Black Island is one of the best early Tintin books, as Hergé squeezes a lot of great moments from the still small supporting cast. Snowy shows a burgeoning interest in alcohol, while the Thompsons inadvertently enter an aeronautical contest.


#9: Destination Moon

1953
Calculus becomes the focal character for the pair of moon books – his use of an ear trumpet makes him much more serious. On Destination Moon, Tintin and friends prepare for a moon journey, while dealing with the rivalry between Syldavia and Borduria. The action barely shifts outside the scientific compound, but there’s plenty happening anyway.


#8 – The Seven Crystal Balls

1948
Inspired by the curse of Pharaoh Tutankhamun, the syndication of Seven Crystal Balls was interrupted by the Nazi occupation of Belgium. The addition of paranormal elements to a classic Tintin mystery is effective, and the story ends on a cliff-hanger to be resolved in Prisoners of the Sun.


#7 – Land of Black Gold

1950
The Land of Black Gold started serialisation in 1939, after King Ottokar’s Sceptre, but was interrupted by the Second World War, and wasn’t completed until 1950. This explains both the gathering clouds of war and the diminished roles of Calculus and Haddock. Despite the muddled origins, it’s a great story with some of the Thompsons’ best hi-jinks.


#6 – Explorers on the Moon

1954
Herge’s painstaking research into spaceflight means that Explorers on the Moon, released fifteen years before the Apollo 11 mission, has aged well. While there’s a lot of scientific information, there are enough unexpected events to make Explorers on the Moon a thrilling Tintin escapade.


#5 – King Ottokar’s Sceptre

1939
In King Ottokar’s Sceptre, Tintin travels to the fictional Eastern European country of Syldavia for the first time. It also marks the first appearance of opera singer Bianca Castafiore. It’s my favourite of the early Tintin books. It gently ramps up the tension, as Tintin finds himself in the midst of a fascist plot that mirrors the German annexation of Austria in 1938.


#4 – The Red Sea Sharks

1958
Tintin returns to the fictional Arabian kingdom of Khemed, introduced in the Land of Black Gold. Lots of old favourites are back, including Rastapopoulos, Bianca Castafiore, Oliveira da Figueira, and Captain Allan, which alone makes it a fun adventure for dedicated fans. The climactic submarine attack is both hilarious and thrilling.


#3 – Prisoners of the Sun

1949
Following the terse mystery of Seven Crystal Balls, Prisoners of the Sun travels through jungles and mountains. The deus ex machina at the plot climax is a brilliant mix of serendipity and ingenuity, while the sub-plot, where the Thompsons take up dowsing to locate their missing companions, is hilarious.


#2 – Tintin in Tibet

1960
Set among the Himalayan snow, Tintin in Tibet was inspired by whiteout dreams that Hergé was experiencing during a time of personal crisis. It’s essentially a sequel to The Blue Lotus, the book that marked the series’ artistic breakthrough. It lacks a lot of the usual Tintin elements – no guns, no bad guys, no Thompsons – but there’s a lot of emotional depth for a comic, making it a fan favourite.


#1 – The Calculus Affair

1956
While it’s not inspired directly by current events, The Calculus Affair perfectly captures the cold war tensions of the 1950s. An espionage thriller, it couples the fast-paced action of early Tintin stories with the sophistication of later adventures, creating the best Tintin book.

Did I place your favourite Tintin adventure too low? Did I underrate The Blue Lotus? Write in and let me know.

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Aphoristical
Graham Fyfe is probably the only music blogger to appreciate Neil Diamond and Ariana Grande.
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50 Comments

  1. I work with a service user who likes Tin Tin. One shift I had to watch four hours of back to back episodes of it to keep him happy. By the end of the evening, I wanted to slit my wrists.

  2. Great list. In my opinion, Tintin in Tibet is the most poetic album of Hergé. It is my favorite but King Ottokar’s Sceptre is also a favorite because it was the first one that I bought and it was responsible for my love on “ligne claire” style.

  3. Great list. As I was scrolling down, I was expecting to see my favourite in 1st, and indeed I saw: the closer Tintin ever got to a cold war spy story and the better for it. I would rate the Blue Lotus higher, as well as Red Rackham Treasure (I always found it endearing rather than boring, and Calculus is at his hilarious best)

  4. I used to get these and Asterix books from the library way back when. Although I can’t remember the particulars (we’re talking 25+ years ago), I do remember the Moon books, Tibet, and Land of Black Gold were favourites.

    • Land of Black Gold is funny because it started getting serialised, but was interrupted by the second world war. When he started, Haddock and Calculus weren’t characters yet, so they’re kind of shoehorned in with minor rules.

    • As I said to Aaron, I’m not sure how someone would find them if they read them for the first time as an adult. But they are pretty nuanced for cartoons, especially if you start halfway through.

  5. Great stuff. I’ve read a lot of these – both in English when I was younger and then in French when I was learning – but I don’t think I’d be able to rank them anymore than thinking Tintin in Tibet and Objectif Lune were favourties.

    • Objectif Moon is really good given how little movement there is – they’re basically stuck in a little compound in Syldavia the whole time, but there are lots of great moments.

  6. Great article, last night I had my son dig up a few of them out of his room. He had “King Ottokar” which I haven’t read yet so I will probably read it this weekend. I hope there’s some glass-shattering by Castafiore!

    • Glad you enjoyed it. I can’t remember too much glass shattering. I always think it’s funny how she’s a world famous opera star, but only seems to know one song (the Jewel Song from Faust).

  7. I discovered Tintin as a kid on my visits to the doctor. There I sat in the waiting room reading Tintin books and hoping it would be a long while before the doctor came out. I’m sure I faked being sick from time to time just so I could read about those crazy adventures. Decades later I introduced my son to Tintin. We even saw the Spielberg movie which was pretty good. A shame they never made a sequel to it.

    • That’s a cool story – thanks for sharing. I think they are still planning another movie or two – just need Spielberg and Jackson’s schedules to line up.

  8. Read them in the early 80s in Africa in elementary school. I remember how. Many kids enjoyed sharing the books

  9. Wonderful. Great how you can cross over and do a post on comics. I do that all the time on my blog: there’s an implied focus on comics and pop culture but then I also do book reviews and whatever else I happen to like….and it all ends up fitting nicely into the whole.

    • I have all these ideas for miscellaneous blog posts but don’t usually follow through with them – I figure comic books just qualify as albums, but I should leave other things like rugby or American politics alone.

      • Well, I suppose us bloggers always begin with what our mood strikes us and then go from there. Some things stick in our minds and end up moving right along to full-fledged posts with the seal of approval.

  10. A friend introduced me to Tintin when I was about ten or eleven years old (mid 70’s) and gave me King Ottokar’s Sceptre. I fell in love with the series so much, when I was fourteen (free spirit parenting back then) I started taking a two hour bus ride to the downtown San Diego library and reading them there. Loving revisiting all these books!

  11. Wow, great list.
    I agree with you about the best ranking book. Calculus affair had always been my favourite. And I agree with most rankings on the list.
    The ones I would rank higher are The Crab with the Golden Claws (Captain Haddock’s first appearance, that does the job for me!), The Secret of the Unicorn (great buildup for RR Treasure which is just a little borring sometimes as you said) and Destination Moon (for some reason I always liked it better that Explorers on the Moon, but ok, I understand why Explorers is iconic).
    The ones I would rank lower are Tintin in Tibet (yes, it is beautiful, but lacks some elements I considet important for a Tintin book), Land of the Black Gold (certainly not its fault that it was written with almost 10 years gap, but still something doesn’t feel right even if there are some nice moments), Castafiore’s emerald (it’s impossible to like a story about Tintin that takes place inside a house) and Flight 714 to Sydney (funny, but at the end I was like “Aliens? Really? Even at moon there weren’t any aliens!”)

    • Thank you for writing in! The later books where Herge seems to get bored with the usual Tintin formula tend to be a bit divisive. I tend to like anything with Calculus and Haddock on board better than the early ones.

  12. Destination Moon has always been my favourite. I may be the only person who got Tintin nostalgia from playing Kerbal Space Program.

    • The first part of his two part stories are all surprisingly strong, except Cigars of the Pharaoh – I’ve never played Kerbal Space Program though!

  13. I will also say that Shooting Star is criminally underrated, and at the very least is superior to every Tintin story that came before it (especially Black Island, which still has too much of the plotless early Tintin escapades where random criminals constantly attack him for no reason). Is it the jewish caricature villain that weighs it down?

    • It just feels like it has a few rough edges to me – the caricature among them. I think there’s a pretty big gulf between Shooting Star at #17 and the ones below it though – it would be much easier to justify sliding it up a few spaces than moving it down.

  14. I don’t know if you’re aware of this, but Alph Art was later made into an extraordinarily bad (and oversized) book by a new creative team. It’s got the worst of Tintin tropes (I’ll come to that in a moment) and none of the best. Even the art looks strange, with all figures disproportionate. If you really want to read it, which I do not recommend, it’s downloadable for free from the pdfdrive.com website.

    Although my own comic strip has been repeatedly compared to Tintin, I have always much preferred Asterix. Why? Firstly, because Tintin, as a character, is insufferable. He can do everything from fly a plane to drive a tank to beat up multiple villains, he can be set without suffering any lasting effects, he doesn’t even have a real face, just three dots, a snub nose, and a quiff. Secondly, because nothing, absolutely nothing, in Tintin works without constant, inexplicable, deus ex machinas. That’s even true of the first Tintin I ever read (Tintin in Tibet), at the age of 6 in 1976. Even that, which I rank as the best Tintin, had Tintin and Co about to abandon the search for Chang when by pure chance seeing his scarf stuck on a rock on a mountain. That kind of thing is not fair!

    • I’ve never seen the reworked Alph Art book. Tintin is pretty much infallible,and the books with Haddock as a more human counterpart are much stronger IMO. Asterix is pretty perfect a lot of the time too, but had more human moments- getting drunk and making rash promises in Laurel Wreath, losing his temper sometimes…

      • Right. I’ve read that Hergé himself got so tired of Tintin the character that his hand began psychosomatic cramping when he had to draw him, so that part was left to an assistant*. Haddock is a far more flawed and therefore human character, and Hergé’s own favourite.

        *that happened to me with one of the major characters in the early days of my own comic strip, so I retired him (except for cameos) in 2015. But then I’m no famous cartoonist like Hergé, who’d already made a brand of Tintin.

  15. I didn’t like Blue Lotus because of the racist anti Japanese tone. Yes, Hergé did finally snap out of the colonialist kick, but while his Chinese are treated sympathetically, his Japanese characters are right out of a WWII propaganda poster. I’m very pro Chinese, and I know extremely well the behaviour of the Japanese in China, but the Blue Lotus made me cringe.

  16. Blue Lotus is a masterpiece given the details and how well it turned out to be the right side of history.

    In terms of adventure, Prisoners of the sun and Explorers on the moon are fantastic. Flight 714 gets a bit unnecessarily strange towards the end.

    I’d say Tintin in Tibet is probably the most beautiful of them.

  17. I think this is all wrong. Flight 714 is such a good book and is better than the calculas affair. Ive read them all and i think that Flight 714 is the best

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