Germany’s Can were too ahead of their time, and too weird, to enjoy a hit record, but they were hugely influential; for instance, when Radiohead ditched guitar rock in favour of more experimental work, Can were one of the bands that they cited as an influence. Can synthesised a lot of influences; their studio tracks were often derived from improvisations, and the members had backgrounds in classical (keyboardist Irwin Schmidt and bassist Holger Czukay studied with Stockhausen) and jazz, but were also inspired by The Beatles and The Velvet Underground.
Can’s peak period is often reckoned to be the years when Japanese Damo Suzuki fronted the band, between 1970 and 1973, and ‘Halleluwah’ is drawn from this period. This is the edit – the original is an 18 minute behemoth that took up an entire side of 1971’s Tago Mago. The most noticeable feature is Jaki Liebezeit’s monster drum groove, which powers the song, while Damo Suzuki’s performance is typically charismatic and cryptic. It’s difficult to believe ‘Halleluwah’ was recorded in 1971.
Did anybody see the snowman standing on winter road
With broken guitar in his hand, onion peeling sleepy eye?
It’s my recording station man but I record in his head
Knowing that too big mouth, oh, ice can flow away, one knowsMoon shadow coming down
While it’s all stormy, stormy night
Oh, the sound went all about
Spinning there, hold me tightMy powers strike me out
Did I slip this thing on their life?
And my god buying out
Oh, it gets me in star lightSearching for my black dope, yes I am
Searching for my black dope, yes I am
Searching for my black dope, yes I am
Searching for my black dope, yes I amDid you see the day? Every fever may I search in
We can find now harder steam, change his kind, fly awayOh, they’re all alone there, let me in
Oh, she asked me the first day for my nameSo she wasn’t going where I was singing
Mushroom head, Oh yeah, Paperhouse
I wonder … what I should do
(It was a game after this)Moon shadow coming down
While it’s all stormy, stormy night
Oh, the sound went all about
Spinning there, hold me tightShoot all the proof and lust and shout and it’s all, just you sow
Shoot all the proof and lust and shout and it’s all, just you sow
Shoot all the proof and lust and shout and it’s all, just you sow
Shoot all the proof and lust and shout and it’s all, just you sowSearching for my black dope
Searching for my black dope, Hallelalalaluwah
Searching for my black dope, Hallelalalaluwah
Searching for my black dope, Hallelalalaluwah
Searching for my black dope, HallelalalaluwahHalalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
HalalalalalalalalalalalaluwahAnd it goes like …
And she saidGot my fever, why do I go? Got my fever, why do I go?
Got your soles into your shoes
Got my fever, why do I go? Got my fever, why do I go?Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
Halalalalalalalalalalalaluwah
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A band that I’ve never really listened to. I know I should, though. This track confirms it!
Most of the Damo Suzuki stuff (the albums from 1970 to 1973) is pretty cool.
I got intro this one when Mojo magazine included it on a Sex Pistols/Johnny Lyon CD! the story goes Johnny was on BBC and dared the DJ to play the full version on prime time radio but off course it was the edit but mojo had the full unedited one on the free cd which was pretty cool!
It’s just so far ahead of its time. Hard to believe it was released in 1971.