Talk Talk Albums: Ranked from Worst to Best

Formed in 1981, London’s Talk Talk enjoyed an unusual career trajectory. They started their record career as a passable synth-pop band, often compared to Duran Duran. Early hits like 1984’s ‘Such A Shame’ and ‘It’s My Life’ allowed them access to larger recording budgets. Their music became more experimental and more organic.

Talk Talk ended their career as respected pioneers of post-rock. Later records – 1988’s Spirit of Eden and 1991’s Laughing Stock – are remembered as some of the most adventurous and accomplished albums of their era. The group incorporated elements of jazz, classical, and ambient music into their sound.

The group’s leader was vocalist Mark Hollis, supported by rhythm section Lee Harris and Paul Webb. Webb left the group after Spirit of Eden while keyboardist Simon Brenner was an early casualty, only appearing on their debut album. Tim Friese-Greene never became an official member, but was a crucial part of the band, providing keyboards and production after their first record.

Talk Talk made five studio albums during their career. I was tempted to include Mark Hollis’ 1998 solo album in this countdown – it would have placed at #4. The highlights from the outtakes collection Asides Besides are also essential – ‘It’s Getting Late in the Evening’, ‘Pictures of Bernadette’, and ‘John Cope’ are ridiculously strong b-sides. My top choice may be a little controversial, but all three of the top-ranked albums areamong my all-time favourites.

Talk Talk Albums Ranked from Worst to Best

Talk Talk The Party's Over

#5 The Party’s Over

Talk Talk’s first album is their only record as a four-piece, featuring keyboard player Simon Brenner. Its languid and romantic sound recalls Duran Duran or late-period Roxy Music. There’s competent synth-pop on ‘Talk Talk’ and ‘Today’, and Paul Webb’s fretless bass doodling is interesting, but this band would improve markedly.

Talk Talk It's My Life

#4 It’s My Life

There are signs of growth on Talk Talk’s second album. In particular, the experimental textures of ‘Tomorrow Started’ anticipate their later work. The title track, later covered by No Doubt, is the most memorable song from their early period. But overall, It’s My Life isn’t much more enjoyable than the debut.

Talk Talk Laughing Stock

#3 Laughing Stock

Talk Talk’s final album is their most esoteric – songs like ‘Myrrhman’ are closer to jazz and ambient than they are to rock music. Hollis’ lyrics gently explore religious themes, as titles like ‘Ascension Day’ and ‘After the Flood’ indicate. ‘Ascension Day’ is punctuated by angry guitars, while ‘New Grass’ and ‘After the Flood’ are resigned and gorgeous.

Talk Talk Spirit of Eden

#2 Spirit of Eden

Talk Talk’s fourth album was a reinvention, often credited with foreshadowing the genre of post-rock. Following the success of The Colour of Spring, Talk Talk were given complete creative control, and recording sessions took a year, in a blacked-out studio with strobe lighting. Conventional pop songs are displaced by moody textural experimentation, backing Mark Hollis’ emotive and enigmatic voice. The first side is a suite of three tracks – ‘The Rainbow’, ‘Eden’, and ‘Desire’. The second side contains ‘I Believe In You’ – it was an unsuccessful single from an album that needs to be heard in its entirety, but it’s gorgeous with its insistent organ riff backing Hollis’ yearning voice.

Talk Talk The Colour of Spring

#1 The Colour of Spring

Success allowed Talk Talk to largely ditch synthetic textures for their third album The Colour of Spring. The group’s sound is augmented by ace musicians like Steve Winwood, David Rhodes, and Danny Thompson. Paul Webb’s bass-lines are monstrous on tracks like ‘Give It Up’ and ‘Time It’s Time’, although the record’s most memorable bass part is played by Hollis on piano, lead single ‘Life’s What You Make It’. The moodier material like ‘April 5th’ and ‘Chameleon Material’ anticipates Talk Talk’s foray into post-rock. The Colour of Spring is a stunning masterpiece of sophisticated pop music, intellectual and often danceable.

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Graham Fyfe is probably the only music blogger to appreciate Neil Diamond and Ariana Grande. Aphoristic Album Reviews features reviews and blog posts across a growing spectrum of popular music.


  1. I don’t know much about them but I do like some of their songs. The only album I’m halfway familiar with is Laughing Stock…it does have some jazz elements.

  2. Love the band. I’ll be straight with ya, Graham. The albums are such an incredible progression, each moving on from the last (including Mark H’s solo opus) that I would not even attempt to rank them. I’d just list them chronologically and say, ‘Go get ’em’!’

    • I do wonder if going chronologically might be tough for new listeners – the first two sound pretty dated at this point and they’re a tough listen for me. Maybe a couple of early tracks then straight into Colour of Spring would make more sense?

    • So I’ve done just this. Newly introduced to Talk Talk (sadly, feel like I’ve wasted years without this) by way of listening to Wild Beasts. It’s been a great journey from open accessible synthy stuff on The Party’s over right through to the beautiful almost formlessness of laughing stock. Spirit of Eden would be a favourite if I was obliged to pick. Weird. Special. Dreamlike and like nothing I’ve ever heard before

      • I haven’t even heard od Wild Beasts. Picking a favourite from the last 3 Talk Talk albums is like choosing a favourite child!

  3. Great band, and for a 1960s-early ’70s rock nut like me to praise them is significant! This is one group whose albums I don’t think you can adequately “rank.” Colour of Spring is a wonderful transition album, but their first two and last two LPs are from practically a different band. I like all of them except maybe the debut.

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Aphoristic Album Reviews is almost entirely written by one person.

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