If you’re an old man, shouting at the clouds about how modern music isn’t the same as it was in your heyday, you’ll probably enjoy the Americana of Jason Isbell. Isbell’s music could have been made any time in the last fifty years. From Alabama, the soul sound of Muscle Shoals is in Isbell’s musical DNA. He’s also comparable to legendary songwriters like John Prine (who mentored Isbell) and Bruce Springsteen.
Isbell emerged as a member of the Drive-By Truckers, serving as lead guitarist and third songwriter beside Patterson Hood and Mike Cooley. He attracted attention with songs like ‘Outfit’, written about his father’s advice upon joining the band, and ‘Decoration Day’.
Isbell left the Drive-By Truckers in 2007, embarking on a solo career. But his early albums weren’t convincing, and he didn’t come into his own as a solo artist until a 2012 stint in rehab and his marriage to fellow songwriter Amanda Shires.
Here are Isbell’s nine solo albums of original material, ranked from worst to best.
Jason Isbell Albums Ranked
#9 Jason Isbell and The 400 Unit

2009
Isbell’s second solo album is his first with his backing band, The 400 Unit. It’s also his least enjoyable record, the sound of a talented songwriter phoning it in.
Even the best songs, like the punchy ‘How Long’, would merely serve as minor highlights on his stronger records. The extended versions of the record feature a cover of Big Star’s ‘When My Baby’s Beside Me’.
#8 Here We Rest

2011
Isbell spent more time at home in Alabama, not touring, than he had for a decade. His home state informed his third album – he drew characters from conversations with locals. The title Here We Rest references a reconstruction-era state slogan. Here We Rest marks the first appearance of Amanda Shires on an Isbell record.
Isbell’s songs are still inconsistent on Here We Rest. But there’s strong material, particularly the graceful and nostalgic ‘Alabama Pines’ and the solo, acoustic ‘Daisy Mae’. I also enjoy the Southern soul of ‘Heart on a String’.
#7 Sirens of the Ditch

2007
Isbell recorded his debut album at Muscle Shoals in Alabama. He’s accompanied by legends like Spooner Oldham and bassist David Hood (the father of Drive-By Truckers’ Patterson Hood). It’s the most agreeably raw of Ibell’s solo releases.
The rocker ‘Brand New Kind of Actress’ recounts the Phil Spector murder trial. Other highlights include the piano-driven ‘Chicago Promenade’ and the blue-eyed soul of ‘Hurricanes and Hand Grenades’.
#6 Reunions

2020
Isbell settles into a comfortable groove on his seventh studio album. With the 400 Unit, he delivers contemplative acoustic songs and roaring rockers. Isbell released Reunions during the COVID pandemic. To support independent retailers, it appeared in record shops a week before it appeared on streaming services.
‘Overseas’ is a great rocker but the acoustic songs are the highlights. Isbell chronicles his relationship with his daughter on ‘Letting You Go’, while ‘River’ is pretty.
#5 Foxes in the Snow

2025
Foxes in the Snow chronicles a time of transition in Isbell’s life. He divorced Shires and started a relationship with artist Anna Weyant. Foxes in the Snow is entirely solo. Isbell recorded at Electric Ladyland studios in five days, playing a 1940 Martin guitar.
Isbell’s a strong enough guitarist to keep Foxes in the Snow entertaining. The songs that deal directly with his divorce are the most harrowing. It’s perhaps a relief that he didn’t record an entire album of songs like ‘True Believer’, where he sings “There’s a letter on the nightstand/I don’t think I’ll ever read”.
#4 The Nashville Sound

2017
After two singer-songwriter albums, Isbell reunited with The 400 Unit for The Nashville Sound. The Nashville Sound was Isbell’s first album after fatherhood, and his daughter opened his eyes to the state of the world. Isbell told Esquire “I’m documenting my eyes being opened to differences, not just with gender, but race and a lot of other things.”
I prefer Isbell as a singer-songwriter, but The Nashville Sound features some fine tracks. The outspoken Southern Democrat expresses his political views on ‘White Man’s World’ and ‘Hope The High Road’.
#3 Something More Than Free

2015
Isbell’s previous album, Southeastern, was full of personal songs. On Something More Than Free, Isbell writes like Springsteen, documenting the lives of underdog, blue-collar folks in the heartland.
While Something More Than Free is a singer-songwriter album at heart, with character portraits like the title track, there’s propulsion behind ’24 Frames’ and ‘The Life You Chose’.
#2 Weathervanes

2023
Isbell finds the perfect balance between the rootsy rock of the 400 Unit and his insight and empathy as a singer-songwriter on Weathervanes. Isbell wrote the songs while starring in Martin Scorsese’s 2023 film Killers of the Flower Moon.
It features riff rockers like ‘This Ain’t It’ and pretty acoustic tunes like ‘White Beretta’ and ‘Strawberry Women’. The standout track, ‘King of Oklahoma’, splits the difference. It’s tough and heartfelt.
#1 Southeastern

2013
Isbell became sober in 2012 and the results were immediate – a stronger, more focused, and more personal batch of songs. Southeastern was intended as an entirely solo album, with just Isbell’s voice and guitar, but some tracks feature fuller arrangements.
My favourites include the rocker ‘Flying Over Water’ and the contemplative ‘Relatively Easy’. But the most acclaimed track is the chronicle of a cancer battle on ‘Elephant’.
Are you an Isbell fan? Do you have a favourite album?
Read More:
30 Comments
Leave a Reply
Related Posts
Review Pages
Read about the discographies of musical acts from the 1960s to the present day. Browse this site's review archives or enjoy these random selections:
Blog Posts
I add new blog posts to this website every week. Browse the archives or enjoy these random selections:
I’ve never heard of him but he sounds really good….good writer.
Yeah, he’s definitely building a career the old-fashioned way. He’s getting decent chart placings and biggish tours now.
I always thought slow is the way to go. You get loyal fans who stick with you.
Excellent. I would have ranked them the same way!
Synchronicity!
Good breakdown of his solo career! Now I know where to start as I’ve only listened to a small amount of his music. My favorite song by Jason Isbell is “Anxiety” (from 2017) which I feel has the potential to become a modern classic.
Southeastern is an exceptional album and I wouldn’t disagree with it taking top spot, as it’s my favourite. Here We Rest is my second favourite, but I just like the vibe on there and, despite it being a bit inconsistent, it was the first of his albums I really fell for. After that, everything is pretty much in the same place for me.
I am that old man ! I only really know southeastern so looking forward to checking out some of these
Cool! I definitely think the post-sobriety ones are stronger.
I’m afraid I can relate to that old man!
So this might be just what I need to stay semi-current with music
I don’t know if he’s current – he’s the kind of artist who’d appeal to people who gave up on new music 20 years ago (not an insult, he’s just very much from the traditional songwriting school).
Have you seen/heard Jason and Amanda cover ‘Mutineer’ by Warren Zevon? There is a clip from David Letterman. Phenomenal!
I have actually – I was browsing Isbell videos and checked in out since I already loved the Zevon song.
Warren is one of my favourites.
I’m working my way through his stuff –
the 1976 and 1978 records are both very good.
I absolutely love Isbell and I fully agree with your ranking. Southeastern is amazing. Cover Me Up is my hands down favourite, but the whole thing is pretty much perfect.
Yup, it’s the clear best for me. He apparently has a new one coming this year – I assume it’s with The 400 Unit.
Jason Isbell is a great singer, songwriter and guitarist. I just bought Southeastern following the recommendation of this site and I am looking forward to hearing it. I have the Reunions album and that is great. Drive By Truckers were a good band when Isbell was part of it. Keep up the good work.
Great – I hope you enjoy!
“Live From Alabama” is every bit as good as the Southeastern and later albums. By my lights, the essential JI+400U live album. So good.
Thanks for writing in. I normally just cover studio albums on these, but maybe I should make an exception.
I just told Christian last Saturday…as he featured him. I love what I’ve heard from different sites…one being yours I’m sure….but I never went through his discography…it’s probably time to do that. It sounds like he would be in a sweet spot for me and you would probably agree.
You can pretty much skip the first three IMO, or at least leave them til last – he was struggling with addictions etc early in his career.
Ok thanks. I think I will like him because I was that “old man” when I was 20. I’m being totally serious. I am better now though but when I turned on the radio and heard Madonna, Flock of Seagulls, and others…I threw my hands up.
Isbell’s become a dad-rock mainstay. I remember when I started listening to him, I thought it was weird listening to someone roughly my age – used to listening to older artists. That’s since changed though.
Many indie bands I’ve heard do sound more retro now.
Production’s got a bit less tied to an era, I think – or maybe we can’t hear it because it’s current?
Influences is more the way I was going but I agree with the production except for more modern pop or intentionally sounding like an 80s cut like Lady Gaga….or elements of that. I guess you can call that influence.
Glad you went through the exercise to listen to and rank all of Jason Isbell’s solo albums.
Based on the three I’ve heard to date (“Reunions”, “Weathervanes” and “Foxes in the Snow)”, I really like him. “Southeastern”, which I understand is considered his breakthrough, is next on my list.
Even though “Foxes in the Snow” is very bare bones, I think it works very well. That said, keeping it to less than 40 minutes was probably smart.
I actually wrote this back in 2018, but figured it was time to update it. Lots of good stuff on Something More Than Free and That Nashville Sound too.