The Kinks formed in Muswell Hill, London, in 1964. They launched their career with hard-driving rock and roll like ‘You Really Got Me’ and ‘All Day and All of the Night’, songs that are considered as landmarks in the development of hard rock and heavy metal. By 1966, The Kinks were evolving, with their sound mellowing and Ray Davies’ songs tending toward social commentary.
Their 1966 album Face to Face has been credited as the first rock and roll concept album, due to Davies’ focus on social commentary. The record company’s acceptance of Davies’ shift towards a softer style was helped by the success of the advance single ‘Sunny Afternoon’. The music hall flavoured song pushed The Beatles’ ‘Paperback Writer’ from number one, and was the highest selling UK single of summer 1966.
The b-side of ‘Sunny Afternoon’ was different in feel. Sung by Dave Davies, ‘I’m Not Like Everybody Else’ is described by Wikipedia as a “defiant anthem of non-conformity.” Dave Davies’ vocals are rawer than his brother’s, and suit the song’s angry tone, rasping out lines like “I won’t take it all lying down/’Cause once I get started I go to town.”
‘I’m Not Like Everybody Else’ also sounds great in later live versions. Dave Davies’ voice had thickened, and the grungier tones of this live version from 1994’s To The Bone suit the song.
‘I’m Not Like Everybody Else’ hasn’t languished in obscurity – The Kinks often performed it live, and it’s been featured on several compilations. It’s also been covered many times, including versions by The Chocolate Watch Band and Camper Van Beethoven.
I’m Not Like Everybody Else Lyrics
I won’t take all that they hand me down And make out a smile, though I wear a frown And I won’t take it all lying down ‘Cause once I get started I go to town
‘Cause I’m not like everybody else I’m not like everybody else I’m not like everybody else I’m not like everybody else
And I don’t want to ball about like everybody else And I don’t want to live my life like everybody else And I won’t say that I feel fine like everybody else ‘Cause I’m not like everybody else I’m not like everybody else
But darling, you know that I love you true Do anything that you want me to Confess all my sins like you want me to There’s one thing that I will say to you
I’m not like everybody else I’m not like everybody else I’m not like everybody else I’m not like everybody else
And I don’t want to ball about like everybody else And I don’t want to live my life like everybody else And I won’t say that I feel fine like everybody else ‘Cause I’m not like everybody else
I’m not like everybody else Like everybody else Like everybody else Like everybody else Like everybody else
If you all want me to settle down Slow up and stop all my running ’round Do everything like you want me to There’s one thing that I will say to you
I’m not like everybody else I’m not like everybody else I’m not like everybody else I’m not like everybody else
And I don’t want to ball about like everybody else And I don’t want to live my life like everybody else And I won’t say that I feel fine like everybody else ‘Cause I’m not like everybody else
I’m not like everybody else Like everybody else (like everybody else) Like everybody else (like everybody else) Like everybody else (like everybody else)
Graham Fyfe is probably the only music blogger to appreciate Neil Diamond and Ariana Grande. Aphoristic Album Reviews features reviews and blog posts across a growing spectrum of popular music.
22 Comments
I never heard this one. Love his throaty vocals and delivery. This is better than a B side. I like the guitar sound on the original also. The one I know by him singing the most is Death of a Clown.
I’ve never heard his solo stuff.
I really like ‘Love Me Til The Sun Shines’ on Something Else as well. That’s the only peak-era Kinks album where he contributed songs, I think?
Great live version and timeless lyrics. I like the rebel attitude and melody.
Yup, I like the rawer live version – gives a different spin. Thanks for featuring it on your older song discoveries.
A triumph for the Davies brothers and The Kinks.
Regards Thom
Yes, one of many.
The Kinks have excellent B-Sides. This is one of them.
Any others that you recommend? It’s a very British thing to put a lot of good material on non-album singles.
Yeah, it’s very British! What I said about The Kinks applies to many bands from the UK, especially those from the 60s-80s.
I would recommend Act Nice and Gentle, Berkeley Mews, and Mindless Child Of Motherhood. They are other B-Sides by them that I love.
They used to do this live and later in their career it acquired heavy sound which really suited it.
I put a live version from the 1990s To The Bone in the post – it gives quite a different spin, and it works well.
Their ’64-’69 window has to be one of the stronger 5-year runs out there!
Can add a couple years from the early 1970s too, so you get ‘Lola’ and the penis transplant soundtrack.
No need to tell you how i feel about these guys or this song. Great tune from one of my all time favorite music makers. Dave nails it.
I think it’s the first time I’ve featured The Kinks. Which is weird because I love a lot of their late 1960s stuff.
I’ve noticed you’re a little light on the boys. Good to hear that you do have a spot for their output. CB is pretty close to a “Fan Boy” with them.
This might actually be my favourite Kinks song – specifically the To The Bone version which I discovered thanks to The Sopranos (which also featured another great Kinks tune Livin On a Thin Line)
It’s a cool song to resuscitate. The To The Bone version has way more hits on Youtube than the original – kind of rare for a much newer version to eclipse an original.
Really? Could be down to the Sopranos or the fact that To The Bone isn’t available for streaming and is out of print
I think The Sopranos had an effect, for sure.
The reason Dave’s voice seems to have changed so much on the live version is that Ray has the lead.
Thanks for the correction! Always a bit embarrassing when I get stuff like that wrong.
I never heard this one. Love his throaty vocals and delivery. This is better than a B side. I like the guitar sound on the original also. The one I know by him singing the most is Death of a Clown.
I’ve never heard his solo stuff.
I really like ‘Love Me Til The Sun Shines’ on Something Else as well. That’s the only peak-era Kinks album where he contributed songs, I think?
Great live version and timeless lyrics. I like the rebel attitude and melody.
Yup, I like the rawer live version – gives a different spin. Thanks for featuring it on your older song discoveries.
A triumph for the Davies brothers and The Kinks.
Regards Thom
Yes, one of many.
The Kinks have excellent B-Sides. This is one of them.
Any others that you recommend? It’s a very British thing to put a lot of good material on non-album singles.
Yeah, it’s very British! What I said about The Kinks applies to many bands from the UK, especially those from the 60s-80s.
I would recommend Act Nice and Gentle, Berkeley Mews, and Mindless Child Of Motherhood. They are other B-Sides by them that I love.
They used to do this live and later in their career it acquired heavy sound which really suited it.
I put a live version from the 1990s To The Bone in the post – it gives quite a different spin, and it works well.
Their ’64-’69 window has to be one of the stronger 5-year runs out there!
Can add a couple years from the early 1970s too, so you get ‘Lola’ and the penis transplant soundtrack.
No need to tell you how i feel about these guys or this song. Great tune from one of my all time favorite music makers. Dave nails it.
I think it’s the first time I’ve featured The Kinks. Which is weird because I love a lot of their late 1960s stuff.
I’ve noticed you’re a little light on the boys. Good to hear that you do have a spot for their output. CB is pretty close to a “Fan Boy” with them.
This might actually be my favourite Kinks song – specifically the To The Bone version which I discovered thanks to The Sopranos (which also featured another great Kinks tune Livin On a Thin Line)
It’s a cool song to resuscitate. The To The Bone version has way more hits on Youtube than the original – kind of rare for a much newer version to eclipse an original.
Really? Could be down to the Sopranos or the fact that To The Bone isn’t available for streaming and is out of print
I think The Sopranos had an effect, for sure.
The reason Dave’s voice seems to have changed so much on the live version is that Ray has the lead.
Thanks for the correction! Always a bit embarrassing when I get stuff like that wrong.