Nuggets: Stop! Get A Ticket by Clefs of Lavender Hill

Before he became Patti Smith’s lead guitarist, Lenny Kaye compiled the two-LP set, Nuggets: Original Artyfacts from the First Psychedelic Era. Released in 1972, the two-LP set covered American garage rock and psychedelia from the years from 1965-1968, and was a major influence on punk rock. Rhino Records reissued an expanded version of the set in 1998, with 118 tracks in total. I’m profiling and rating each of these 118 tracks, working backwards.

Track 102: Stop! Get A Ticket by Clefs of Lavender Hill
From: Miami, Florida
Aphoristical Rating: 7/10

STOP–GET A TICKET – Clefs Of Lavender Hill [2:30]
(Travis Fairchild/Coventry Fairchild)
Personnel/JOSEPH XIMENES (TRAVIS FAIRCHILD): vocals, lead guitar * LORRAINE XIMENES (COVENTRY FAIRCHILD): vocals, guitar * BILL MOSS: bass * FRED MOSS: drums
Produced by STEVEN PALMER
Recorded in Miami, FL
Thames single #LH-100 (4/66); Date single #2-1510 (5/66); Pop #80

Miami folk-rock band Clefs of Lavender Hill are an obscure band, even by Nuggets standards. They were headed by the brother-and-sister duo of Joseph and Loraine Ximenes, who used the stage names Travis and Coventry Fairchild. They were joined by another set of siblings, Fred and Bill Moss, who served as the rhythm section.

‘Stop! Get A Ticket’ was the b-side of their first single ‘First Tell Me Why’. It’s clearly inspired by The Beatles and other British Invasion bands like The Hollies, with the harmony singing and folk-rock guitars. The single was popular enough in Florida to gain nationwide release, and it reached #80 on the US charts. Subsequent singles weren’t successful, and the band’s completed album wasn’t released.

It’s understandable why Clefs of Lavender Hill weren’t widely successful. By 1967, when the full-length album was scheduled for release, their strait-laced Beatles/Hollies sound was probably considered obsolete. Their full-length album was belatedly released in 2010 as Stop! Get A Ticket. It collected up their four singles and b-sides as well as covers like Cher’s ‘Bang Bang’ and Donovan’s ‘Sunshine Superman’.

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17 Comments

christiansmusicmusings

April 11, 2021 / 1:16 pm Reply

Pretty catchy tune. And, yes, definitely reminiscent of the British Invasion!
- Aphoristical
  
  April 11, 2021 / 10:12 pm Reply
  
  Yup, which meant it was out of step by 1967.
  - christiansmusicmusings
    
    April 12, 2021 / 1:27 am Reply
    
    That’s fair, though as a fan of The Beatles and the British Invasion, selfishly, I don’t mind. But I suppose other folks did! 🙂
    - Aphoristical
      
      April 12, 2021 / 9:16 am Reply
      
      It’s a weird phenomenon in the 1960s that basically everyone changed at once – there was British invasion, then folk-rock, then psychedelia, then back to basics, and a lot of bands followed that same zeitgeist. Ever since bands have largely just been allowed to stay in their lane.
      - christiansmusicmusings
        
        April 12, 2021 / 9:22 am
        
        Great observation!
badfinger20 (Max)

April 11, 2021 / 6:01 pm Reply

I like First Tell Me Why a lot…this one I like the harmonies. this one is a bit different than the rest of nuggets…from what I’ve heard.
What is must feel like…making an album 20-30 years before and then suddenly it comes out.
- Aphoristical
  
  April 11, 2021 / 6:21 pm Reply
  
  There’s no psychedelia in there really – it’s just straight British Invasion.
stephen1001

April 11, 2021 / 10:26 pm Reply

Nice harmonies & hanclaps, bonus marks for song title punctuation!
- stephen1001
  
  April 11, 2021 / 10:26 pm Reply
  
  handclaps that is!
- Aphoristical
  
  April 12, 2021 / 9:12 am Reply
  
  I guess ‘Stop! In the Name of Love’ was first.
80smetalman

April 12, 2021 / 12:39 am Reply

A good tune but it’s definitely early 1960s at a time when the likes of The Doors and Jefferson Airplane were grabbing everyone’s attention. Even the Beatles were going in a different direction by then.
- Aphoristical
  
  April 12, 2021 / 9:15 am Reply
  
  Yup, it doesn’t really happen like that anymore – in the 1960s it’s like everyone changed style at once, now bands can just do their own thing.
keepsmealive

April 13, 2021 / 12:34 am Reply

Adding that 2010 release to the wishlist, thanks!
- Aphoristical
  
  April 14, 2021 / 9:10 am Reply
  
  I’m kind of interested to see if all their stuff is like 1964 Beatles, or if they branched out.
  - keepsmealive
    
    April 14, 2021 / 3:05 pm Reply
    
    If I ever find it, I’ll post about it for sure.
greenpete58

April 14, 2021 / 6:13 am Reply

Are you familiar with the “Highs in the Mid Sixties” series on Pebbles Records? It covered local music scenes in America. I’m from Ohio and have Vols. 9 and 21 (Ohio) and the band The Statesmen cover this song. I think it’s a better version, and the liner notes speculate The Statesmen actually wrote it, but it was ripped off by the Clefs of Lavender after they visited Cleveland. We may never know!
- Aphoristical
  
  April 14, 2021 / 12:31 pm Reply
  
  I have never heard of those! I don’t know if I have room in my heart for another collection of 1960s stuff (going to take me a few years to get through Nuggets and Nuggets 2), but it sounds interesting!