

The success of Rhino’s 1998 Nuggets boxset justified a follow-up. The sequel covers the rest of the world since the first volume only chronicled the USA.
Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969 emerged in 2001. It features music from countries such as Iceland, Uruguay, and Japan. I’m profiling and rating each of the 109 tracks, working backwards.
Track 102 – I’m Your Witchdoctor by Chants R&B
From: Christchurch, New Zealand
9
Credits
PERSONNEL/MIKE RUDD: vocal, harmonica, rhythm guitar * MAX KELLY (aka MATT CROKE): lead guitar * MARTIN FORRER: bass * TREVOR COURTNEY: drums
Produced by JAMES R. TOMLIN
Recorded in Wellington, New Zealand
Action single #AC-1012 (1966) [New Zealand]
Chants R&B
The Chants were a four-piece band, formed in Christchurch, New Zealand. They were influenced by The Animals, the Rolling Stones, Them, and the Pretty Things.
The Chants won the 1964 Battle of the Bands at the Addington Showgrounds, their debut performance. They played every Friday and Saturday at the Stage Door, a basement club in Hereford Lane. Their sound was wild, and they found fresh material, importing rare R&B records from overseas.

New Zealand does a great job of archiving its music history. Audioculture has extensive coverage of Chants R&B, while there’s an hour-long documentary at NZ On Screen.
I’m Your Witchdoctor
‘I’m Your Witchdoctor’ was originally recorded by John Mayall and the Bluesbreakers, written by Mayall and produced by Jimmy Page. At this point, Mayall’s band included Eric Clapton and future Fleetwood Mac bassist John McVie.
Here’s the Chants R&B version:
The verdict
Chants R&B cover of ‘I’m Your Witchdoctor’ raises the intensity from the original. It’s so unhinged that it’s compelling. Vocalist Mike Rudd is charismatic, and the record is spooky.
Formed in Christchurch in 1964, The Chants R&B’s uncontrollable, deviant, sometimes moody rhythm and blues sound owed a debt to The Pretty Things and Them, but they always added a distinctly weird bent of their own. They didn’t so much cover John Mayall’s “I’m Your Witchdoctor” as inhabit it–in much the same way an evil spirit might take possession of a helpless body, sending it into a dancing ecstasy of guttural shouts and wild paroxysms.
Mike Stax, Nuggets II liner notes
The band never delivered on their potential. Complicating matters, Max Kelly, the lead guitarist on ‘I’m Your Witchdoctor’, was a deserter from the Australian Air Force. He was tracked down and deported.
The band later moved to Australia after Rudd inherited some money, but struggled to find an audience.
When we arrived there, we found that the Chants’ biggest problem was our selection was too eclectic, too broad a range of stuff and when we struck the clubs here, the bands were very directional. We had to make a choice between the blues and Tamla and that knocked us out and sowed the seeds of dissension.
Michael Rudd later led the Australian progressive rock bands Spectrum and Ariel
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Nice one. Mike Rudd is a gold-plated legend in Aus (as I’m sure you are aware). Nice fella, too.
I’d never heard of him! I wonder if he’s bigger in Australia? Have you met him?
Definitely bigger. Due mostly (in general terms) to the huge and enduring love we have for “I’ll Be Gone”. But progressive rock fans revere Spectrum and rock dogs admire Ariel. So his legacy has a solid base!
I’ve met Mike several times. I interviewed him on-air when I was at 3PBS back in the early 90s and for Vinyl Connection in 2019, a 50th anniversary of sorts.
https://vinylconnection.com.au/2019/05/18/im-not-tired-interview-with-mike-rudd/
Just went to read this, but your site seems to be down?
Yeah. It does. Hmm.
Mike is certainly well known in Aus. Largely due to an ‘anthem’ that has seeped into the National consciousness, “I’ll be gone”. It was a hit in 1971 (?) and still gets played. Spectrum are revered by progressive rock fans while Ariel appealed to a broader rock audience.
I interviewed Mike on-air at 3 PBS back in the early 90s, which was fun. More recently, in 2019 we did an email interview for his 50th musical anniversary. Clearly he chose to forget the Chants!
Oh I love this…it’s in your face. The music reminds me a lot of Them. I like when his voice starts blending with the blues harp…and the constant guitar soloing going on. You will pay attention if nothing else. Great raw garage track!
Also…thanks for that website I’ve bookmarked it.
Yeah. I’m often prejudiced against the bluesy ones, but this was pretty undeniable.