
Every New Zealand #1 single…
10
Penny Lane by The Beatles

Topped the NZ chart for 2 weeks from 31 March 1967
The Beatles enjoyed 14 #1 singles in New Zealand between 1963 and 1970 – it almost certainly would have been more if someone had maintained the charts during 1965. ‘Eight Days A Week’, ‘Help!’, ‘Ticket To Ride’, ‘Yesterday’, and ‘We Can Work It Out’ were all worldwide hits that could have feasibly topped the chart.
Despite 1965’s absence, The Beatles have topped New Zealand’s singles charts more than any other artist. Katy Perry (WTF…) and Justin Bieber are their closest competition.
The Beatles
The Beatles were a global phenomenon in the 1960s, keeping pace with popular music’s rapid development in the 1960s. You probably know about them already….
Penny Lane
The Beatles recorded ‘Penny Lane’ over the winter of 1966–67. It’s a nostalgic recollection of Paul McCartney’s adolescence – he later explained to Clash Music, “I’d get a bus to his house and I’d have to change at Penny Lane, or the same with him to me, so we often hung out at that terminus, like a roundabout. It was a place that we both knew, and so we both knew the things that turned up in the story.”
We put in a joke or two. ‘Four of fish and finger pie.’ The women would never dare say that, except to themselves. Most people wouldn’t hear it, but ‘finger pie’ is just a nice little joke for the Liverpool lads who like a bit of smut.
Paul McCartney, Anthology liner notes, 1997
McCartney was attempting to emulate the clean, orchestral textures of the Beach Boys’ Pet Sounds. The track’s built around McCartney’s piano. He invited David Mason to contribute a piccolo trumpet solo after seeing him play the instrument on a BBC television broadcast of Bach’s Second Brandenburg Concerto.
‘Penny Lane’ was among the first songs to be accompanied by a music video:
‘Penny Lane’ was one of the earliest songs recorded in the Sgt. Pepper sessions, but was released as a standalone single with ‘Strawberry Fields Forever’. George Martin explains:
The only reason that ‘Strawberry Fields Forever’ and ‘Penny Lane’ didn’t go onto the new album was a feeling that if we issued a single, it shouldn’t go onto an album. That was a crazy idea, and I’m afraid I was partly responsible. It’s nonsense these days, but in those days it was an aspect that we’d try to give the public value for money.
The idea of a double A side came from me and Brian, really. Brian was desperate to recover popularity, and so we wanted to make sure that we had a marvellous seller. He came to me and said, ‘I must have a really great single. What have you got?’ I said, ‘Well, I’ve got three tracks – and two of them are the best tracks they’ve ever made. We could put the two together and make a smashing single.’ We did, and it was a smashing single – but it was also a dreadful mistake. We would have sold far more and got higher up in the charts if we had issued one of those with, say,’When I’m Sixty-Four’ on the back.
George Martin, Beatles Anthology
‘Penny Lane’/’Strawberry Fields Forever’ was famously blocked from topping the charts in the UK by Engelbert Humperdinck’s middle-of-the-road crooner ‘Please Release Me’. But ‘Penny Lane’ made it to the top of the charts in New Zealand.
My verdict
As Martin says above, ‘Penny Lane’ is one of the Beatles’ very best songs. It has a lot to offer – sophistication without sacrificing verve and energy, snide humour balancing sweetness and nostalgia. ‘Penny Lane’ also forms a terrific yin-yang with the trippy, boundary-pushing ‘Strawberry Fields Forever’.
The Aftermath
The Beatles continued to rule the pop world through most of the 1960s, although perhaps the ‘Penny Lane’/’Strawberry Fields’ double a-side was their absolute peak. It wasn’t until the late 1960s that The Rolling Stones, Led Zeppelin, and Creedence Clearwater Revival challenged their reign over rock and pop.
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I loved “Penny Lane” from the very first moment I heard it, which must have been in the late ’70s when I “replaced” my childhood idol Elvis Presley with The Beatles – though unlike Elvis, I never idolized them or any other artist for that matter. I attribute this to growing maturity! 🙂
As Martin noted, it kind of was crazy they didn’t put the song and “Strawberry Fields Forever,” which I like even better, on Sgt. Pepper, just because they also released it as a single. While it’s still my favorite album, oftentimes I think “Abbey Road”, “The White Album” or “Revolver” could also be in that spot. Had they included the two tracks, there would be no question Sgt. Pepper would my undisputed favorite Beatles album.
I’m team Strawberry Fields too, but they’re both top 5 Beatles songs for me so it doesn’t really matter. I think it worked out fine with those songs ending up on Magical Mystery Tour – it’s an excellent album in its own right.
Fair enough. I dig “Magical Mystery Tour” as well. At the end of the day what matters most is that these great songs were released.
Well it’s all very interesting. I happened to go to the Paul M photography exhibition yesterday at the art gallery in Toronto.
The idea that singles should not be part of albums must have come and gone quickly- but it makes some sense now. The Beatles and the stones may have abided by this rule but nobody after- U2 or Nirvana or Oasis , The Clash .Supertramp, The Who etc did.
.The gentleman I volunteer with on Saturday am s is a major music person who loves the Beatles. He told me of the only hit where none of them played an instrument. Maybe you can figure it out.
I assume the hit is Eleanor Rigby? How was the Paul McCartney exhibition.
There’s a long British tradition of putting great b-sides on singles, but it’s non-album a-sides seems like a 1960s thing. The Who had some strong non-album singles like ‘I Can’t Explain’ and ‘The Seeker’. I guess the album became more dominant after the mid-1960s, so people wanted to get their big songs on the albums.
I cannot think of one of those songs without the other. They are tied together through time to me and represent Paul and John so well. I lean more toward Strawberry Fields but this one is great pop. I still think about Sgt Pepper with those two songs…how much more they would have elevated it through time? I don’t know if they could have only cut one song or two to get them on… but it certainly would have moved up my personal Beatle album chart.
Yeah, it’s interesting those two songs came out together – I can’t think of any other Beatles songs with that mix of whimsy and nostalgia. Like Paul and John were having a songwriting contest.
I’ve read where the album was going to be an album about them growing up…these were the corner songs of it but the concept was thrown out of the window when Paul took that flight from America.
Did you see that Macca’s just announced a “nostalgic new album”, The Boys of Dungeon Lane. Spooky timing!
I hadn’t heard of that until now…thank you!