Before he became Patti Smith’s lead guitarist, Lenny Kaye compiled the 2 album set, Nuggets: Original Artyfacts from the First Psychedelic Era. Released in 1972, the two-LP set covered American garage rock and psychedelia from the years 1965 to 1968 and was a major influence on punk rock. Rhino Records reissued an expanded version of the set in 1998, with 118 tracks in total. I’m profiling and rating each of these 118 tracks, working backwards.
Track 58/118: Shape of Things to Come by Max Frost & The Troopers
From: Nowhere, because they’re fictional…
Aphoristic Rating: 8/10
SHAPE OF THINGS TO COME (From the Motion Picture Wild In The Streets) – Max Frost & The Troopers [1:57]
(Barry Mann/Cynthia Weil)
Personnel/PAUL WYBIER: vocals [+ unknown studio musicians]
Produced by MIKE CURB for SIDEWALK PRODUCTIONS, INC.
Recorded in Studio City, CA
Tower single #419 (8/68); Pop #22
For those keeping track at home, this is the final track on the second disc of the Nuggets box set, marking the approximate halfway point in this project.
‘Shape of Things to Come’ comes from the songwriting team of Barry Mann and Cynthia Weil. They’re known for a diverse range of 1960s hits like The Animals’ ‘We Gotta Get Outta This Place’, Paul Revere & the Raiders’ ‘Kicks’, and The Drifters’ ‘On Broadway’. The Righteous Brothers’ ‘You’ve Lost That Lovin’ Feelin”, written with Phil Spector, is the most-played song of the 20th century. Impressively, given their career in showbiz, Mann and Weil have maintained a 60-year marriage.
‘Shape of Things to Come’ is less attention-grabbing than their big hits – it’s a well-crafted garage rock song. The song was written for the film Wild in the Streets. The film is about a fictional band, Max Frost & The Troopers. Max Frost is played by Christopher Jones, but Paul Wybier takes lead vocals on the studio version. The song takes its title from an H.G. Wells short story – Ornette Coleman’s album The Shape of Jazz to Come presumably grabbed its name from the same source.
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Aphoristic Album Reviews is almost entirely written by one person. It features album reviews and blog posts across a growing spectrum of popular music.
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Graham Fyfe has been writing this website since his late teens. Now in his forties, he's been obsessively listening to albums for years. He works as a web editor and plays the piano.
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I remember seeing that movie at the drive-in as a kid. It had a great shock effect for a kid and this kick azz song. I had no idea it was based on an HG Wells story, but it does not surprise me. Such a rebellious song of its time.
Sounds like a cool movie to see in the drive-in.
Such a great little song. I first heard this via Slade! Love the clip, too. Though surely that’s a young David Hasselhoff singing?!
I didn’t know Slade covered it – I’d never heard it before Nuggets.
Slade’s debut album from 1970.
Great-sounding tune. Barry Mann and Cynthia Weil certainly are an impressive songwriting partnership – and marital partnership, as you rightly flagged!
Yeah, I’d heard of them obviously but didn’t know everything they’d written.
I like the song but I don’t remember it. I’m shocked that Barry Mann and Cynthia Weil are still alive and still married….that is really cool and rare.
That movie seems familiar… Richard Pryor is in it…I might check it out.
I hadn’t heard it before – it would be a good fit for 1960s radio, I would have thought.
I agree…it would have fit fine.
I agree with you it’s about a 8 out of 10. Not really a top 10 Mann/Weil though, which is understandable considering how many great ones they have. I never did see that movie but I want to. Sounds great.
It’s a strong 8 for me – I toyed with a 9.
Starting next week you got two 10/10’s in a row coming up next. And a few more soon after that.
Let’s hope I agree! I haven’t handed out many 10s lately.
I remember this song well. They used to play it a fair amount on the radio. “Wild in the Streets” is one those B-movies that Hollywood used to make in the Sixties to relate to the burgeoning hippie/youth/counterculture cohort. Most of them are pretty embarrassing. Usually they had lines like “Hey, man! We’ve got to stick it to the man. Let’s go protest the war” or some other crap. I can’t help but note that Millie Perkins – who played Anne Frank in the movie – was in this. And comedian Richard Pryor plays a drummer called Stanley X. The Sixties are an admixture of great stuff an absolute schlock. I don’t recall which side this one falls on.
I’m pretty badly versed in old movies – I don’t think I’ve seen any of those 1960s counterculture b-movies. Don’t know how I get to see them, although I guess maybe they’re on YouTube since they’re of little commercial value now.
They weren’t even of any commercial value then. “Easy Rider” was one of the few that caught the zeitgeist and it hasn’t dated really well. Although, that said, it did put Jack Nicholson on the map.
I have seen Easy Rider. We used to use Wyatt as a codename for a difficult coworker, when we were young and foolish.
That’s funny. For a reason I can’t recall, I saw thar movie with my mother. I can’t imagine she got it or enjoyed any part of it. Likewise, I saw Alice’s Restaurant (another Sixties flick) with my father.