The New Pornographers emerged in 2000, a conglomerate of talent from nationally successful Canadian bands like Zumpano, Destroyer, and Limblifter. While A.C. Newman is the group’s main creative force, the band spotlighted Neko Case’s warm, sumptuous voice and Dan Bejar’s offbeat songs on a handful of tracks each album.
The group had their winning formula in place right off the bat – upbeat songs with complex chord changes, ornate harmonies, and clever arrangements. You could categorise them indie pop, power pop, or pop/rock, but if you’re a fan of intelligent studio crafted guitar pop, The New Pornographers are one of the leading exponents of the genre in the 21st century.
Here are The New Pornographers’ seven studio albums ranked from worst to best – bear in mind that they’ve never made a weak album, and all of their work is recommended:
The New Pornographers most recent album is their only record not to feature Destroyer’s Dan Bejar, and it feels incomplete without the three quirky songs he usually contributes. But it’s still a strong record, updating their sound with more electronics, but not departing from their core strengths of melodic, harmony filled songs.
Favourite track: ‘High Ticket Attractions’ (Newman)
The New Pornographers continued the mellower sound of Challengers for their fifth album. Songs like ‘Valkyrie in the Roller Disco’ and ‘If You Can’t See My Mirrors’ are gentle and low key. Together is notable for the high number of guest appearances, including St. Vincent, Will Sheff, and Zach Condon, although the guest appearances are subdued enough not to overly influence the sound of the record.
Favourite track: ‘Silver Jenny Dollar’ (Bejar)
I’m aware that this is the most controversial placement on this list, relegating the band’s popular debut to the bottom half. Mass Romantic is full of creative songs that are much more sophisticated than the usual I IV V chord progressions of power pop, but it lacks stylistic variation – it’s relentlessly uptempo – and it’s bare without a lead guitarist.
Favourite Track – ‘The Fake Headlines’ (Newman)
I enjoyed the more mellow New Pornographers albums that preceded Brill Bruisers, but the return to a high energy approach is welcome here. The opening track is irresistibly upbeat and energetic, and Newman stated that “I am at a place where nothing in my life is dragging me down and the music reflects that.”
Favourite Track – ‘Brill Bruisers’ (Newman) – but let’s watch Bejar’s ‘War on the East Coast’, where Newman lip syncs all the lyrics on Bejar’s behalf.
A.C. Newman’s niece Kathryn Calder joined the band in time for their fourth album, adding a second female voice. While there’s upbeat power pop like ‘All The Old Showstoppers’, the meat of Challengers is in the mellow tunes like ‘Go Places’ and the title track, while Bejar shines with ‘Myriad Harbour’ and ‘Entering White Cecilia’.
Favourite Track – ‘Challengers’ (Newman)
The New Pornographers added more punch to their intricate song-craft on their second album, adding lead guitarist Todd Fancey to beef up their sound. The best known song is ‘The Laws Have Changed’, where Case, as she often does, steals the show, but I’ve always been partial to the tension build and release of ‘From Blown Speakers’.
Favourite Track – ‘From Blown Speakers’ (Newman)
The New Pornographers’ first couple of albums are energetic and high velocity, while their later albums are more ornate and subdued. Their third album, Twin Cinema, captures them at the perfect place in their evolution between youthful enthusiasm and adult sophistication. And it’s full of great songs like ‘Sing Me Spanish Techno’, ‘The Bones of an Idol’, and ‘Jackie Dressed in Cobras’.
Favourite Track: ‘These Are The Fables’ (Newman)
Did I underrate your favourite New Pornographers album? Should they have chosen a more family friendly name? Let me know!