Creedence Clearwater Revival emerged in 1968, seemingly from some Alabama swamp, but actually from El Cerrito, California. Going against the psychedelic music that was prevalent at the time, Creedence began playing a stripped down, bluesy swamp rock.
As CCR’s career progressed, frontman John Fogerty’s writing grew in confidence, and the band turned into a classic rock hits machine. But after six albums between 1968 and 1970, Fogerty’s writing muse ran dry, and the other members of the band fought for artistic control with famously terrible results. But the band’s brief career resulted in a truckload of great songs, and some terrific albums.
Here are Creedence Clearwater Revival’s albums, ranked from worst to best:
After John’s brother, rhythm guitarist Tom Fogerty, left the band, John gave the other two members of the group album space to write and sing their compositions. I’ve never heard this, but I’m happy to avoid it – even John’s material like ‘Sweet Hitch-hiker’ and ‘Someday Never Comes’ isn’t among his best. It’s a unanimous pick for Creedence’s worst studio album.
Pendulum is more of a studio-based album than Creedence’s previous albums – I like the more detailed arrangements, like the soulful organ on some tracks. But on their sixth album since 1968, it feels as though John Fogerty’s running out of songs, and despite a few strong songs like ‘Have You Ever Seen The Rain?’, Pendulum was the band’s weakest effort to date.
Creedence Clearwater Revival
Creedence Clearwater Revival’s debut showcases their swampy bluesy boogie. Many of the songs are covers, including the minor hit ‘Suzie Q’, and it’s reliant on basic blues progressions. But even though the band would write more interesting songs in the future, their base sound is already fun and infectious.
Creedence Clearwater Revival’s second album builds on their first, featuring strong John Fogerty originals like ‘Proud Mary’ and ‘Born on the Bayou’ that stand out among their swampy boogie.
Creedence Clearwater Revival’s development continues with original songs like ‘Bad Moon Rising’ and more diversity in their sound. A hint of country appears on songs like ‘Lodi’, while ‘Wrote A Song For Everyone’ is acoustic and gorgeous.
Willy and the Poor Boys
Willy and the Poor Boys is where Creedence Clearwater Revival enter their peak era. Jammed so full of hits (‘Down On The Corner’, ‘Fortunate Son’), great album tracks (‘It Came Out of the Sky’, ‘Effigy’), and ace covers (‘Cotton Fields’, ‘Midnight Special’), that you’ll barely notice a couple of insubstantial instrumentals.
Cosmo’s Factory has so many great songs that it almost plays like a Greatest Hits album – highlights include ‘Who’ll Stop The Rain’, ‘Up Around The Bend’, ‘Ooby Dooby’, and ‘As Long As I Can See The Light’. Among the deeper cuts, there’s also the opening swamp groove of ‘Ramble Tamble’ and the lengthy cover of ‘I Heard It Through The Grapevine’. Even if Creedence Clearwater Revival are sometimes considered a singles band, they had some great full length albums too.
Do you have a favourite Creedence Clearwater Revival album? Is there anyone out there who doesn’t like them?