Singer-songwriter Nadia Reid hails from Port Chalmers, a port suburb of Dunedin, New Zealand, that’s known for alternative life-stylers and artists. Her mother is a local jazz singer, and operating in the singer-songwriter genre, it’s easy to overlook what a capable vocalist Nadia Reid is, with a full, rich voice.
But even more impressive than her singing voice is her writing voice – she has a clear individual style, even when she’s writing about well worn territory like relationships. There’s enough enigma around her songs that they keep listeners coming back for more – they’re usually blurry and evocative, rather than straightforward. Reid often works with a full band, but with her personal, confessional songs, it’s safe to file her as a singer-songwriter.
Reid self-released her first album, Listen To Formation, Look For The Signs, in 2014, and it gained attention in international publications. Her debut showcased a talented songwriter, but her second album Preservation, takes everything a step further, more confident, and more accomplished, and was deserving of its second place on Mojo’s Best Albums of 2017 list.
2014, 8/10 Nadia Reid first picked up a guitar at the age of fifteen, and Listen To Formation… is an incredibly poised album from a songwriter in her early twenties. Reid purposely self-released the album, and it relied on glowing international reviews to raise its profile – Reid stated “that was something I was really conscious of with self-releasing the first album – I didn’t want to have to beg anyone to put my record out, to force something that wasn’t meant to be.” There was no need to worry – Formation is a strong debut album, showcasing a songwriter with a unique perspective already in place. It’s more subdued and introspective than her next album, with gentler arrangements centred around Reid’s guitar.
Highlights include the opening ‘Runway’, with its evocative opening line, “When I hit the ground in all my glory/I will know where I have come from” and guitarist Sam Taylor’s shimmering textures accompanying Reid’s acoustic picking. ‘Call The Days’ has a beautiful hook, while the louder ‘Reaching Through’ and ‘Holy Low’ provide punchy contrast to the low key songs.
Listen To Formation, Look For The Signs is an assured, impressive debut, but Reid would surpass it with her next effort.
Preservation
2017, 9.5/10 Reid opts for a more full bodied sound on her confident sophomore record. She’s again fronting her four piece band of jazz school graduates, and it suits her better. Her powerful voice suits the band format, and her songs are personal enough that they still feel intimate and enigmatic, even with the band arrangements. Preservation is palpably a breakup album – Reid paints a portrait of her ex-boyfriend on the excellent ‘Richard’. ‘Reach My Destination’ is acoustic, but it’s powerful because it’s so unusually direct for Reid: “There were two little words that I used/One was ‘fuck’, the other was ‘you’”.
Seeing Reid live recently, ‘Richard’ was the most requested song from her catalogue – Reid didn’t play guitar on it live, instead letting her band rock through it, while only supplying the commanding vocals. It’s a great rock song, filled with great imagery (“Filled the sink with blood/And I am on the cross of forgiveness”). ‘The Arrow And The Aim’ is pretty and melodic, but its delivered with squally guitar and a downtrodden sounding rhythm section. ‘Ain’t Got You’ ends the record with a mournful gravitas that belies Reid’s young age.
Preservation is an incredibly strong record from a very gifted songwriter,
Out Of My Province
2020, 8/10 Nadia Reid named her third album for a quote from New Zealand author Janet Frame, known for the biographical film An Angel at My Table. Out Of My Province is a fitting title – Reid ended up recording in Richmond, Virginia. Her co-producer is Spacebomb’s Matthew E. White, who’s worked with Natalie Prass and Sharon Van Etten. He allows Reid access to a much wider range of textures than before. Out of My Province sometimes feels like a compromise – like an audition tape for NPR’s Tiny Desk Concert – and Reid sacrifices some of the intimacy that characterised her previous records.
Sometimes the fuller arrangements work; the horn flourishes on ‘High & Lonely’ add another dimension. On the other hand, tunes like ‘Oh Canada’ and ‘The Future’ are too slick to allow Reid’s personality to shine through. My favourite track is the opening ‘All Of My Love’, which supports a pretty tune with a classy countrified arrangement, while the simpler arrangements on tracks like ‘Who Is Protecting Me’ allow Reid space to breathe. Reid’s voice remains a major asset, and it shines with the fuller arrangements. Guitarist Sam Taylor is still present, and gives Reid’s music some edge when he’s utilised, but Out Of My Province is too tame overall.
Out Of My Province successfully expands the scope of Reid’s music, but it doesn’t quite capture enough of her unique personality; hopefully her next release can do both.
Five Favourite Nadia Reid Songs
Richard Ain’t Got You Runway All Of My Love Call The Days The Arrow and the Aim Reach My Destination Holy Low Who Is Protecting Me Reaching Through
Aphoristic Album Reviews is almost entirely written by one person.
Graham Fyfe is probably the only music blogger to appreciate both Neil Diamond and Ariana Grande. Based in Fleet Street (New Zealand), he's been writing this blog since around 2000. Aphoristic Album Reviews features reviews and blog posts across a growing spectrum of popular music.
Review Pages
Read about the discographies of musical acts from the 1960s to the present day. Browse this site's review archives or enjoy these random selections:
New York’s Laura Nyro wrote a batch of hit songs in in the late 1960s, and is an inductee into the Rock and Roll Hall of Fame. Her confessional songs foreshadowed the singer-songwriter movement of the early 1970s, and she was cited as an inspiration by Joni Mitchell, Elton John, […]
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The Byrds started as a folk band, but their single ‘Mr Tambourine Man’ crystallised their distinctive sound, with Roger McGuinn’s ringing twelve-string guitar and the group’s gorgeous harmonies. The combination of an ornate yet organic sound, coupled with Dylan’s intricate lyrics, proved highly influential and launched the genre of folk-rock. The […]
Blog Posts
I add new blog posts to this website every week. Browse the archives or enjoy these random selections:
The New Pornographers emerged in 2000, a conglomerate of talent from nationally successful Canadian bands like Zumpano, Destroyer, and Limblifter. While A.C. Newman is the group’s main creative force, the band spotlighted Neko Case’s warm, sumptuous voice and Dan Bejar’s offbeat songs on a handful of tracks on each album. […]
Swedish quartet ABBA were massively popular from the mid-1970s to the early 1980s. They were effectively a supergroup when they formed in 1972 – Agnetha Fältskog was already a solo star in Sweden while songwriting team Björn Ulvaeus and Benny Andersson had served their apprenticeships in 1960s folk acts. The […]
The United Kingdom’s most likeable pop star, Jessie Ware is charming where other mainstream acts leave me cold. She has a gorgeous voice, but she’s closer to the sophisticated poise of Sade than the vocal histrionics of Celine Dion. Ware’s body of work – dance-pop and blue-eyed soul – is […]
Belgian cartoonist Georges Remi, better known as Hergé, published the first Tintin adventure in the Catholic magazine Le Vingtième Siècle in 1929. The final, unfinished Tintin book, Tintin and Alph-Art, appeared in 1986, three years after Hergé’s death. During that time, Tintin evolved; the first volume, Tintin in the Land […]
English sophisti-pop band Prefab Sprout date back to 1970s art-rock; leader Paddy McAloon was sent a rejection letter by Brian Eno’s record label in 1976. They didn’t release their debut album Swoon until 1984, by which time the lineup had solidified. Paddy McAloon was joined by his brother Martin on […]
The Eagles emerged from California in the early 1970s, initially as Linda Ronstadt’s backing band for her album Silk Purse. They were massively successfully, with a string of chart-topping singles and albums. In particular, their Greatest Hits (1971-1975) is one of the highest-selling albums of all time. It’s appropriate that […]
Thanks for bringing these two albums to our attention! Please keep up the great work you share here!
I think she’s legitimately great, hopefully there’ll be a third album soon.