Richard Dawson Album Reviews

Newcastle Upon Tyne’s errant folkie Richard Dawson is prolific, releasing a deluge of material as a solo artist, in collaborations like Hen Ogledd, and under the alter-ego Eyeballs. His rough-hewn guitar and freewheeling vocals are distinctive, and Japan’s David Sylvian recently stated that Dawson “will be, if he’s not already, a national treasure.” Inspired by Mike Patton, he throws his voice around wildly. Dawson’s music is also reminiscent of American blues weirdo Captain Beefheart, and the charming and meandering songs of Robert Wyatt, or like an oddball Richard Thompson.

Dawson has been releasing music at a breakneck pace – I’ve already covered three of his records on my New Music Reviews section, so they needed to be organised on their own page, but I’m not well enough versed in his earlier records to cover them yet, so I’ve just listed them with their Bandcamp summaries for now. I’ve just listed albums credited to Dawson here – he’s released far more material as a member of Hen Ogledd and Bulbils, and also released earlier records as Eyeballs.

RICHARD DAWSON Album Reviews

Sings Songs and Plays Guitar | The Magic Bridge | The Glass Trunk | Nothing Important | Peasant | 2020 | Henki (with Circle) | The Ruby Cord

Richard Dawson Sings Songs and Plays Guitar

2005
Dawson’s debut seems to be written out of his discography – it’s not available on Bandcamp or Spotify.


The Magic Bridge

2011

The Magic Bridge marked a significant leap in Dawson’s development as a musician, a moment when he seemed to find his own voice, both vocally and through his guitar playing. He’d already been performing and recording around Newcastle for several years at this stage, but The Magic Bridge suggested Dawson had experienced some major personal epiphany that had brought a unique fire to his music.

https://richardmichaeldawson.bandcamp.com/album/the-magic-bridge

The Glass Trunk 

2013

2012 saw another stylistic veer with the creation of The Glass Trunk. Triggered by a commission to respond to the local museum service’s archives, Dawson created an album largely from stories found in an old 17th Century scrapbook, including a lengthy paean to the sorry demise of community pillar Joe The Quilt-maker and the much-loved yet equally, viscerally dark Poor Old Horse. 6 acapella odes of between 4 and 13 minutes in length, plus a rendering of Mike Waterson’s The Brisk Lad, intersperse with a series of brief instrumental vignettes, Dawson’s guitar sparring with the electric harp of Rhodri Davies for strictly spontaneous 60-second blasts.

https://richardmichaeldawson.bandcamp.com/album/the-glass-trunk

Nothing Important

2014

Stumbling from music-hall tune-smithery to spidery swathes of noise-colour, Richard Dawson hints at a time before today’s over-preened and manufactured music world.

https://richardmichaeldawson.bandcamp.com/album/nothing-important

Peasant

2017

No listener to Dawson’s earlier music has ever discerned a lack of artistic ambition. Whether they got on at the last stop – the 4 track Tyneside-Trout-Mask-through a-Vic and Bob-filter of Nothing Important – or earlier in the journey, with The Glass Trunk’s visceral song cycle or The Magic Bridge’s sombre revels, devotees of his earlier recordings will be at once intrigued by and slightly fearful of the prospect of a record that could make those three landmark releases look like formative work. Peasant is that album. From its first beguilingly muted fanfare to its spectacular climax exploring a Dark Ages masseuse’s dangerous fascination with a mysterious artefact called the Pin of Quib, Peasant will grab newcomers to Richard Dawson’s work by the scruff of the neck and refuse to let them go until they have signed a pledge of life-long allegiance.

https://richardmichaeldawson.bandcamp.com/album/peasant

2020

2019, 8/10
Dawson’s previous record, Peasant, focused on medieval life. 2020 is clearly focused on modern life in Britain. The album opens with the prosaic lines “Open your eyes, time to wake up/Shit, shower, brush your teeth, drain your cup” from ‘Civil Servant’. Dawson’s songs on 2020 are often focused on lengthy narratives; the UFO sighting of ‘Black Triangle’ is eight minutes long, while ‘Fulfillment Centre’ runs longer than ten minutes. Dawson plays almost all of the instruments on 2020, but the focus is on his propulsive and raw guitar playing.

‘Jogging’ is built around a pounding rock riff and sweetens his sound with synths, giving Dawson’s music more universal appeal than usual. ‘Black Triangle’ is also built around a dark and heavy riff, perhaps not surprising for someone who spent hours watching Iron Maiden videos as a teenager.

2020 is more accessible than Dawson’s previous work, with his partner educating him towards pop music. But it’s still very much outsider music; ‘Two Halves’ tells the story of a child playing football, harangued from the sidelines.

The focus on lengthy story-telling can limit the replay value of 2020, but it’s still an accomplished record, with its rough-hewn and anxious stories of modern life.


HENKI (RICHARD DAWSON & CIRCLE)

2021, 9/10
Newcastle Upon Tyne’s errant folkie Richard Dawson is prolific, releasing a deluge of material as a solo artist, in collaborations like Hen Ogledd, and under the alter-ego Eyeballs. His rough-hewn guitar and wide-ranging vocals are distinctive. On Henki, he’s linked up with the experimental Finnish band Circle and created a progressive rock concept album about plants. As a teenage Iron Maiden fan, playing with Circle is a natural fit for Dawson – it makes him more accessible as the fuller arrangements and harmonies sweeten his wild forays into falsetto. Henki is essentially a full-fledged foray into progressive rock, with long songs and botanical concepts – Genesis’ 1971 epic ‘Return of the Giant Hogweed’ is an obvious frame of reference. But while a lot of modern progressive rock lacks personality and sounds sterile, Dawson’s blues leanings and rough vocals make him a compelling frontman.

The storytelling of Henki is the focal point, and it’s a fascinating collection of botanical tales. ‘Methuselah’ is about Donald Currey, who unwittingly cut down the world’s oldest tree. Opener ‘Cooksonia’ is in 3/4 with a sea-shanty feel, a biography of Australian botanist Isabel Cookson, the first known land-based vascular plant named after. The dynamics of ‘Ivy’ emphasise the part of the tale about the myth of King Midas, which makes it seem out of place – even though the chorus “Tendrils surging up/Ahhhh-ahhhhhh-ahhhh/Overflowing cup” is thoroughly botanical. The harder-rocking tracks showcase Circle’s skills – ‘Silphium’, about a now-extinct plant that was the backbone of the antiquarian Cyrene economy, and the closing ‘Pitcher’.

Rocking, full of personality, AND educational – Henki is a tough combo to beat.


THE RUBY CORD

2022, 9/10
After chronicling modern life on his previous solo album, 2020The Ruby Cord is rooted in British folk, recalling Fairport Convention and Steeleye Span’s forays into electrification. But thematically, it’s set in a dystopian future, 500 years from the present.

Social mores have mutated, ethical and physical boundaries have evaporated; a place where you no longer need to engage with anyone but yourself and your own imagination. It’s a leap into a future that is well within reach, in some cases already here.https://richardmichaeldawson.bandcamp.com/album/the-ruby-cord

The tracklist is dominated by the 40-minute opening track ‘The Hermit’ – it’s the album’s first single, and a short film has been made to accompany the track. It’s worthy of its long running time, but the shorter tracks on the back half of the album are often outstanding. Dawson showcases his impressive falsetto on ‘The Fool’, while ‘The Tip of an Arrow’ rocks hard. Closing ‘Horse and Rider’ has a reassuringly traditional folk sound, with its lovely fiddle part.

Dawson’s always creative, and The Ruby Cord is an outstanding entry into an already impressive catalogue.

Leave a Reply

More from Aphoristic Album Reviews

Aphoristic Album Reviews is almost entirely written by one person.

Graham Fyfe is probably the only music blogger to appreciate both Neil Diamond and Ariana Grande. Based in Fleet Street (New Zealand), he's been writing this blog since around 2000. Aphoristic Album Reviews features reviews and blog posts across a growing spectrum of popular music.

Review Pages

Read about the discographies of musical acts from the 1960s to the present day. Browse this site's review archives or enjoy these random selections:

Lindsey Buckingham Album Reviews

Even if you don’t know him by name, you’ve surely heard Lindsey Buckingham’s work in the pop era of Fleetwood Mac. While Stevie Nicks was the public face of the band, Buckingham was the architect of their sound, the studio wizard who created the lush pop textures of 1977’s Rumours and […]
Stevie Wonder Fulfillingness First Finale
1970s Album Reviews

The 1970s are beloved by music nerds; artists in a variety of genres cranked out a 40-minute album every year. The late 1960s staked out the territory for many genres; the 1970s was when they were explored fully. Artists like Marvin Gaye and Stevie Wonder broke free from the Motown […]
Marillion Album Reviews

Neo-prog band Marillion took their name from JRR Tolkien’s The Silmarillion. They played their first show in London in 1978 – an all-instrumental lineup from which only drummer Mick Pointer was still around when they released their debut album in 1983. They added a significant new member each year – guitarist […]
LCD Soundsystem

James Murphy’s LCD Soundsystem blurred the lines between electronic and rock music in the 21st century. Murphy’s original career plan was to become a sound engineer or a drummer, but took on a front-man role after the band he was producing broke up. LCD Soundsystem are most commonly filed under […]
the-smiths-the-queen-is-dead
The Smiths Album Reviews

The unlikely pairing of socially awkward Steven Morrissey and guitarist Johnny Marr, extroverted and four years Morrissey’s junior, formed the nucleus of The Smiths, whose witty and stripped-down music was an influential force throughout their brief existence. Inspired by punk (according to legend, Morrissey’s musical epiphany can be traced back to the […]
Taylor Swift Album Reviews

When I started this site, I wouldn’t have considered reviewing a country-pop teenage starlet, but Taylor Swift has enjoyed a phenomenally successful career where she’s transcended genre boundaries. Named after James Taylor, even as she’s left the country genre, Swift has retained the confessional, story-telling narratives of country in her […]

Blog Posts

I add new blog posts to this website every week. Browse the archives or enjoy these random selections:

10 Best Cat Stevens Songs

Cat Stevens launched his career as a teen idol, scoring hits with heavily arranged songs like ‘I Love My Dog’ and ‘Matthew and Son’ in the 1960s. A near-fatal case of tuberculosis and a collapsed lung left him hospitalised, with time to refine to rethink his approach. When he returned […]
10 Best Songs by The Mutton Birds

Don McGlashan had already made an impact on the New Zealand music scene before he formed The Mutton Birds. He was the drummer for the punk-influenced band Blam Blam Blam, remembered for fabulously titled songs ‘There Is No Depression in New Zealand’ and ‘Don’t Fight It Marsha, It’s Bigger Than […]
ABBA: Albums Ranked from Worst to Best

In November 2021, ABBA released their ninth studio album Voyage. It was the Swedish quartet’s first studio album in almost 40 years – an unprecedented gap in output for a superstar group. It’s not the longest gap between releases – niche groups like The Sonics, Fanny, Strawberry Alarm Clock, and […]
The 10 Best Pet Shop Boys Songs

Neil Tennant and Chris Lowe met in a hi-fi shop in Chelsea in 1981. Tennant had bought a Korg synthesizer and the pair bonded over their shared love of electro-pop singles like ‘Souvenir’ by Orchestral Manoeuvres in the Dark and ‘Bedsitter’ by Soft Cell. The pair formed Pet Shop Boys, […]
10 Best Echo & the Bunnymen Songs

Liverpool’s second-most famous band, Echo & the Bunnymen arrived in the post-punk era; they released their debut single in 1979. Their early career mirrors U2‘s – both released their first four albums between 1980 and 1984. Both were enjoying mainstream success in the UK by 1984 – Echo & the […]
10 Worst Songs of the 1980s

When I was a teenager in the 1990s, the 1980s were often reviled as the decade that taste forgot. But I think this list is far less heinous than the 10 Worst Songs of the 1970s – the corporate vibes of the 1980s sound less dated than the hippie ethos […]
%d bloggers like this: