Charlotte Aitchison christened herself Charli XCX after her MSN Messenger handle. She broke through early as a songwriter, penning ‘I Love It’ for Icona Pop while still a teenager
With an ear for pop hooks and a devoted Instagram following, she seems like an inevitable mainstream pop star, but she’s experimental enough to interest pop nerds. She’s also never settled on a style – although at the time of writing she’s still merely in her mid-twenties – vacillating between moody, experimental pop, and hook-filled ear-worms. Here are five of my favourite Charli XCX songs:
Backseat
featuring Carly Rae Jepsen, from Pop 2, 2017 You’d expect a collaboration between this pair to be a sugar coated pop banger. Instead, ‘Backseat’ is subdued and existential, a meditation on isolation. It’s from 2017’s Pop 2 – Aitchison still hasn’t released an official followup album to 2014’s Sucker – instead labelling her 2017 song collections as mix-tapes.
non-album single, 2013 ‘Superlove’ was originally intended as the lead off track for Aitchison’s sophomore album, Sucker. But despite being released as the lead single, it didn’t appear on the album when Sucker was released. It’s different in tone than much of her material, unabashedly poppy and infused with unreserved joie de vivre.
featuring MØ, from Number 1 Angel, 2017 2017’s first mix-tape, Number 1 Angel, was Aitchison’s first full length release since 2014. It was created in collaboration with A. G. Cook of PC Music, who steers Aitchison in a rawer, more experimental direction. There’s a great pop song underneath, even if its subject matter, vacillating between lust and self-censure, isn’t necessarily radio friendly.
from True Romance, 2013 The lead-off track for Aitchison’s debut album, ‘Nuclear Seasons’ showcases the moody pop that she explored on 2013’s True Romance. Aitchison labelled her first album’s music as “neon goth”, and it’s an apt description, like someone with pop smarts emulating Siouxsie and the Banshees. Love the grainy aesthetic of the video, too.
from Sucker, 2014 The relentless perky beats and driving guitars of 2014’s Sucker can be wearying, but when there’s good material, it’s a massive burst of adrenaline. The onomatopoeia of ‘Boom Clap’ was featured on the movie The Fault In Our Stars, and it’s a great memorable pop song. The beat goes on and on and on and on and….
Graham Fyfe is probably the only music blogger to appreciate Neil Diamond and Ariana Grande. Aphoristic Album Reviews features reviews and blog posts across a growing spectrum of popular music.
6 Comments
Hadn’t heard of her before reading this… some stuff there that I could probably dig. Backseat is a goody and Superlove is also very catchy.
Thanks for listening! It would have been inexplicable to myself a few years ago, but I’m really enjoying having modern pop in my musical diet.
I’m much like you – I enjoy a wee bit of pop, though it definitely has to have a wee bit of edge and, as Kanye would say, artistry. Which this does.
Synesthesia – what an interesting concept.
And I found nothing obnoxious about the eclectic nature of the back-to-back posts!
They both write short pop songs using western scales. So they’re similar in a lot of ways.
Also with synesthesia, almost all babies have it apparently, but only about 4% of the adult population. Charli XCX says that The Cure’s songs are “all midnight blue or black, but with twinkly pink stars and baby pink clouds floating around it”.
Hadn’t heard of her before reading this… some stuff there that I could probably dig. Backseat is a goody and Superlove is also very catchy.
Thanks for listening! It would have been inexplicable to myself a few years ago, but I’m really enjoying having modern pop in my musical diet.
I’m much like you – I enjoy a wee bit of pop, though it definitely has to have a wee bit of edge and, as Kanye would say, artistry. Which this does.
Synesthesia – what an interesting concept.
And I found nothing obnoxious about the eclectic nature of the back-to-back posts!
They both write short pop songs using western scales. So they’re similar in a lot of ways.
Also with synesthesia, almost all babies have it apparently, but only about 4% of the adult population. Charli XCX says that The Cure’s songs are “all midnight blue or black, but with twinkly pink stars and baby pink clouds floating around it”.