
A 1964 hit that sounds like it was already ancient.
Juliet—The Four Pennies
Topped the NZ charts for 1 week, starting on 30 July 1964.
More about my NZ number #1 project.

The Four Pennies
Lionel Morton started his career as a choirboy in Blackburn, Lancashire. His band were originally The Lionel Morton Four. They chose their new name at a meeting above a Blackburn music shop, situated on Penny Street.
Juliet
Bassist Mike Walshaw wrote the tune for ‘Juliet’. Wilshaw, Morton, and guitarist Fritz Fryer developed it into a song, named after Fryer’s two-year-old niece. In 1963, The Four Pennies won a talent contest with ‘Juliet’, leading to a recording career with Phillips Records.
The group used ‘Juliet’ as the B-side of a single. After it received airplay, the sides were reversed, and it topped the UK singles chart. ‘Juliet’ is notable as the only British Invasion #1 not to chart in the US.
The lack of US success isn’t surprising – it’s a drippy piece of pop that sounds irredeemably soft now. ‘Juliet’ has some interesting musical ideas – some nice harmonies and interesting chord changes – but it’s hard to get past the
The aftermath
Lionel Morton became a TV presenter, fronting the kids’ show Play School. He was reportedly high while recording some 1970s episodes, including an infamous nativity scene.
Fryer later formed the group Fritz, Mike & Mo, then worked as a record producer for groups like Clannad, Horslips, Motörhead, and Stackridge.
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Read about the discographies of musical acts from the 1960s to the present day. Browse this site's review archives or enjoy these random selections:
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It’s funny when I was a kid, I would have called “Juliet” a classic example of an “oldie.” In the mid- to late ’70s, pretty much any song from the ’50s and early ’60s was an oldie to me. With its chord progression that was common in many other songs of that era, “Juliet” certainly cannot deny its origin. I still think it’s lovely.
It has 1950s written all over it but it’s not bad…it’s just out of that time period. I must admit…I’m a sucker for that 50s ballad type G-Em-C-D chord progressions…but saying that…this is a bit light even for 1950s standards and certainly for the 1960s! Even the early 60s.
Can’t quite remember, but I’m pretty sure I gave this one an unenthusiastic write-up when I covered it many years ago…