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Close To The Edge – Yes

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Close To The Edge

(1972), 10/10
Close To The Edge was the second and final album recorded by the best known Yes lineup, with Wakeman and Bruford. With only three tracks and quasi-religious incomprehensible lyrics it’s worrying on paper, but with a huge arsenal of instrumental talent and heavenly harmonies at their disposal, it seems that Yes were capable of making anything work in 1972; Close To The Edge was Yes’ second album for the year, and it’s amazing. Unlike other side-long pieces, such as Genesis’ ‘Supper’s Ready’, the title track is only one song, rather than a series of related songs stuck together. The structure is more like a classical piece with different themes floating in and out, building through an amazingly proficient organ solo from Wakeman into a wonderful climax. The whole piece is often overwhelmingly evocative and memorable, especially the “I get up, I get down” section, and Jon Anderson’s clear and ethereal vocals are perfectly suited to the material. The second side begins with ‘And You And I’, which is the least hard-hitting song on Close To The Edge, but still fantastic, with a more subtle acoustic flavour, which emphasises the group’s harmonies. The album toughens up again with the riff-driven ‘Siberian Khatru’, with the fabulous chanted climax. The introduction is one of my favourites, as the group transform Howe’s sublime but conventional opening blues riff into a distinctively Yes piece, while I also love the brief harpsichord solo. Other commentators have labelled Close To The Edge as a rock symphony, which is an accurate description. While the three pieces are distinct, they are linked by Anderson’s streams of vague religious imagery, and they all end in a triumphantly hopeful climax. Nominally Close To The Edge is my favourite album ever; there’s hardly a dull moment in this ambitious progressive suite.

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