After spending most of the 1970s exploring jazz and folk sounds, Van Morrison changed his approach for Wavelength, with a lush, radio friendly pop sound. Like the albums that followed it, Wavelength is slick and commercial, and the style suits Morrison as his vocals are unique enough that a generic musical backing isn’t a problem. It does mean that Wavelength can’t coast by on atmosphere like some of Van Morrison’s previous work did; the album is a little monotonous in places, and some of the songs drag on too long, and it works best when he’s laying on the pop hooks.
There are pop hooks galore on pop songs like the title track and ‘Kingdom Hall’, while the short, punchy ‘Natalia’ is arguably the most memorable piece. The gentle ‘Hungry For Your Love’, with Morrison playing electric piano is melodic and memorable, while the most significant piece is the closer ‘Take It Where You Find It’, which slowly builds into a nine minute epic, with the refrain centering around “lost dreams and found dreams in America”.
After the tentative A Period of Transition, Wavelength is a step forward for Van Morrison; its more polished sound would be utilised for 1979’s career highlight Into The Music.