Like many of his compatriots before him, Van Morrison relocated to America, although in his case it was due to a woman rather than a potato famine. While Van Morrison had lived in the U.S.A. since the start of his solo career, Tupelo Honey’s country textures make for his most American sounding album. Living in Woodstock, Van Morrison was living close to The Band, and they’re perhaps one influence on the rootsier sound here.
It’s perhaps symptomatic that the strongest tracks – opening single ‘Wild Night’ and the epic title track – are those closest to Van Morrison’s more typical R&B. If you’re not in the right mood, Tupelo Honey‘s agenda of doe-eyed domestic bliss can be nauseating, but despite the throwaway nature of several tracks the overall effect is often charming. The booklet artwork helps; Van, with his tight pants and little beard, looks like a cute Celtic mythological figure and you can’t help but feel happy for him.
The central song on Tupelo Honey is the gorgeous title track; it starts off with beautiful organ, joined by Van’s delicate vocal intoning “She’s as sweet as tupelo honey/She’s an angel of the first degree.” The other two epic tracks are also enjoyable; ‘You’re My Woman’ isn’t startlingly original, but carries through on a wave of euphoria, while ‘Moonshine Whiskey’ has a fluid catchy chorus that contrasts with the taut verses.
The other standout tracks are the snappy lead-off single ‘Wild Night’, with a stylish bass entrance into the introduction, and ‘Old Old Woodstock’ which evokes the languid and rural tone of some of The Band’s work. The low point is ‘I Wanna Roo You’, which is even worse than the title suggests.
The lesser tracks do mesh into Tupelo Honey, as the whole album has a lightweight tone; a collection of mellow -tinged love songs. It’s enjoyable enough, but Tupelo Honey is one of Morrison’s lesser albums from his early catalogue.