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Beautiful Vision – Van Morrison

Van Morrison Beautiful Vision

Beautiful Vision

(1982), 8/10
Beautiful Vision is one of Van Morrison’s most settled, comfortable albums, like a calmer take on the Into The Music sound, and it’s relatively insular with its low key explorations of Christianity and Irish heritage. But even if he’s treading water musically, there are plenty of great songs here, and it’s one of his more consistent, most substantial records, even if it’s less adventurous and less universal than his earlier work.

Guests include Mark Knopfler, who plays guitar on ‘Cleaning Windows’ and ‘Aryan Mist’, while Morrison himself plays piano on the closing instrumental ‘Scandinavia’, where his sprays of notes are melodically compelling.

Enforcing an initial reaction that Beautiful Vision is bland and uninteresting, at least a couple of these songs are abjectly uneventful – the monotonous title track and ‘Aryan Mist’ both wander past without adding anything to the record. But digging deeper, there are a couple of catchy potential singles in the form of ‘Cleaning Windows’ and ‘Dweller On The Threshold’, the former a seemingly autobiographical tale from Van Morrison’s days in Belfast inspired by R&B, and the latter balancing wistful lyrics with a fast tempo.

The standout track, though, is ‘Across The Bridge Where Angels Dwell’, where R&B, jazz, and gospel are fused into a glorious whole, Van Morrison’s voice floating above the female backing vocals. The two Celtic influenced pieces, ‘Northern Music (Solid Ground)’ and ‘Celtic Ray’, give the album a solid beginning, while the instrumental ‘Scandinavia’ is a surprisingly effective coda.

The insular world that Morrison creates here isn’t ideal for neophytes, but Beautiful Vision is like a more mature, calmer version of Into The Music, and it’s not as far from that album’s greatness as it may seem on first impression.

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