16 Lovers Lane
The Go-Betweens had been quietly releasing some very good albums throughout the 1980s, but 16 Lovers Lane is their peak; it features their strongest lineup instrumentally, with new member John Wilsteed officially the bass player but adding lots of guitar parts, and producer Mark Wallis adding an ornate sheen. The album also contains Robert Forster’s most accessible set of songs and Grant McLennan’s most consistent set. With Wallis working from Forster and McLennan’s acoustic demos, he broadens their range; McLennan’s ‘The Devil’s Eye’ is pared down almost to acoustic guitar, while Forster’s ‘You Can’t Say No Forever’ is given a dance-able rhythm and sassy blaxploitation guitar.
Forster writes his prettiest material ever – ‘Clouds’, ‘Dive For Your Memory’, ‘I’m Allright’ and ‘Love Is A Sign’ are all sweetly melodic, underscored by Amanda Brown’s oboe. McLennan’s five songs are all winners, ranging in mood from the aggressive, punchy ‘Was There Anything I Could Do?’, through the exuberance of ‘Love Goes On!’ and the melancholic resignation of ‘Quiet Heart’.
Quite simply, 16 Lovers Lane is one of the best pop albums by anyone, a superb final statement before 12 years of silence.