Mud Slide Slim (And The Blue Horizon)
Sweet Baby James made James Taylor a star, and the following year’s Mud Slide Slim finds him already sliding into irrelevant pleasantness. There are no significant lyrics like ‘Fire And Rain’; Taylor is now prepossessed with straight-from-the-genre-handbook subjects of love and lonesome travelling; ‘Riding On A Railroad’, ‘Let Me Ride’, ‘Highway Song’ and ‘Isn’t It Nice To Be Home Again’ are all eligible for the latter category. To give it credit, this record is more sonically adventurous than Sweet Baby James, with wah-wah guitar on the excellent title track, but it slides into cliché too often and it’s often a little insubstantial. Carole King again guests on piano, while Joni Mitchell adds backing vocals on several tracks
Regrettably, Greatest Hits, which has become the quintessential James Taylor album, only includes the sentimentalised cover of King’s ‘You’ve Got A Friend’, meaning that there are some strong songs here that have been unfairly overlooked. The second single was the gorgeous ‘Long Ago And Far Away’, which is far more deserving of recognition, while the funky title track is the album’s highlight. The latter is far too short, only using the memorable “There’s nothing like the sound of sweet soul music to change a young lady’s mind” chorus once, but makes some amends with a lengthy jam at the end.
Even wimpier than Sweet Baby James, Mud Slide Slim is hardly a record to convince James Taylor sceptics, but it’s a solid if often slight addition to his catalogue for his fans.