Pointing out bad lyrics in a tween fantasy Disney series feels like shooting fish in a barrel. But this quartet of movies features some of the most ridiculous wordsmithery I’ve ever heard. I’ve had this post sitting in my draft box for years. But the recent release of Descendants 4: Rise of Red raised the ante on bad Descendants lyrics and helped fill out this post.
These Descendants are not to be confused with the worthy California punk band of the same name. According to Wikipedia, “each film chronicles the lives of the teenage children of four Disney Villains on the Isle of the Lost, and their move to the kingdom of Auradon at the request of the teenage son of Queen Belle and King Beast.”
For the record, I don’t hate every piece of music from the franchise. ‘Chillin’ Like A Villain’, from Descendents 2, is a fine pop song.
10 Worst Descendants Lyrics
Descendants
The four descendants are the teenage children of Maleficent, the Evil Queen, Jafar, and Cruella de Vil.
Mal, Evie, Jay, and Carlos adjust to life outside their island prison.
Let’s start with some hyperbole…
Followed by some understatement…
Descendants 2
Perhaps the only fantasy movie where a 3D printer is a major plot device.
Mal turns her hair blonde.
Ursula’s daughter Uma is the main antagonist. Apparently, she’s dangerously attractive.
Descendants 3
It’s good to be bad. Especially for the Queen of Mean. But you’ve got to do what you’ve got to do.
There’s a magic blue rock. And a magic green rock.
Are you slicing them up like cheddar? Or cutting them up like confetti…..
Descendants 4
There’s a new generation of descendants.
There’s the daughter of Queen of Hearts and the daughter of Cinderella. And there’s also Jaladdin!
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This is great…I was hoping you would do this again. Rhyming Fantastic with Magnet is either very funny or very sad. I know these are written for tweens but couldn’t they get a decent lyricist?
Yeah, normally cheesy musicals have really witty, well-written lyrics. I wonder if the shoddy lyrics here help with the appeal. They’re not over the audience’s head.