Summer in Paradise by The Beach Boys: 30th Anniversary Review

The past week marked the 30th anniversary of The Beach Boys’ Summer in Paradise. I’ve been filling in the gaps in my Beach Boys album review page, so it seemed a good time to revisit the most maligned album from America’s Band.

Mike Love was still riding on an ego wave when The Beach Boys released their 27th studio album, Summer in Paradise. After years as an oldies act, The Beach Boys scored a surprise #1 hit with ‘Kokomo’ in 1988. In 1988, Love also made an infamous Rock and Roll Hall of Fame acceptance speech. He neglected his meditation that day, and threw out a series of challenges, claiming that Mick Jagger has “always been chickenshit to get onstage with the Beach Boys.”

1989’s album Still Crusin’ was their best charting record since 1976. It still failed to crack the top 40, a fact that Love blamed on the dilution of his concept.

The theme of that album was to have been songs that have been in movies. It was basically a repackage. But then it got watered down with politics, meaning Brian’s Dr. Landy forcing a song called “In My Car,” which was never in a movie, and a song by Jardine, which ultimately ended up on the album, called “Island Girl,” which was never in a movie either. So to me the concept was a little bit diluted there politically.

Mike Love, Interview with Goldmine

So despite the failure of Still Cruisin’, with full creative control of the next project, Love’s hopes were high. In an infamous 1992 chat with a sycophantic interviewer, he told Goldmine that:

Every song and whatever producer we used would have to be okayed by me, I would have the authority to exercise what I felt was the most commercial and creative strengths of all the guys. I was objective enough, along with Terry Melcher, to create ‘Kokomo’. I took a real strong hand in the writing and co-writing.

Make lightning strike twice hopefully, and do something that’s commercially viable and acceptable to the mindset of our core fans. The idea for a summer thematic album appealed to me…. The arrangement of ‘Remember (Walking in the Sand)’ is so hot it’s just a mindblower. We’ve got the most modern up-to-date, beyond up-to-date technology, to do this thing. We’re recording it right onto a hard disk with this Protools equipment.

Mike Love, Interview with Goldmine (transcribed by me, apologies for any errors).

While Dennis Wilson had passed away and Brian Wilson wasn’t involved, The Beach Boys still had four of their 1960s-era members when they made Summer in Paradise. While Summer in Paradise is often singled out as one of the worst albums of all time, the album has the advantage of the vocal synergy between Love, Carl Wilson, Al Jardine, and Bruce Johnston. The harmonies were always The Beach Boys’ strength, and there’s still some magic here.

The original songs on the album were largely written by the creative axis of Mike Love and Terry Melcher. The son of Doris Day, Melcher started his career in a vocal duo with Bruce Johnston, produced The Byrds’ ‘Mr Tambourine Man’, and cowrote ‘Kokomo’.

It’s easy to see why this album sounded ridiculous in 1992 – aging rock acts had enjoyed popularity in the late 1980s, with albums like Tom Petty’s Full Moon Fever and Don Henley’s The End of the Innocence. But Nirvana’s Nevermind had changed the musical tides in the early 1990s, leaving the synthetic and light-hearted Summer in Paradise looking hopelessly old-fashioned – one of the most high-profile boomer albums of 1992 was Eric Clapton’s Unplugged, the polar opposite of Summer in Paradise.

The production is awful, with synthetic-sounding drums, while the arrangements pile on saxophones, hard rock guitars, and synths. The Beach Boys were clearly short on ideas, covering 1960s chesnuts, including a couple of their own tracks. The record sold less than 1000 copies upon release, sending the distributor Navarre bankrupt.

Is Summer in Paradise Mike Love’s masterpiece? Let’s break it down, track by track.

Track 1 – Hot Fun in the Summertime

Summer in Paradise opens with a cover of Sly and the Family Stone’s ‘Hot Fun in the Summertime’. Despite the tacky 1980s production and gross sax solo, it’s one of the stronger tracks here. DELETE

Track 2 – Surfin’

The Beach Boys remade their debut single with tacky guitars and synthetic-sounding drums. No reason to listen to this rather than the original. DELETE

Track 3 – Summer of Love

‘Summer of Love’ is a misleading title – it should have been “old dudes staring at young nubile bodies on the beach”. The Beach Boys have recorded a bunch of tacky material in their career, as anyone’s who’s heard ‘Student Demonstration Time’ or ‘Ten Little Indians’ can testify. But this is the only Beach Boys song that features Mike Love rapping. DELETE

People all around the world in every nation
Like to get together for some excitations
If you’re a girl appreciates her recreation
Why don’t you let me take you on a love vacation

Summer of Love
Track 4 – Island Fever

This one’s pretty enough, but it smells like a limp rewrite of ‘Kokomo’. DELETE

Track 5 – Still Surfin’

Love’s trying to write an early 1960s-style surf song and dress it up in “beyond up-to-date” production – it’s a trick he did successfully on 1969’s ‘Do It Again’. But it works here too – there’s energy and a decent verse melody. KEEPER

Track 6 – One Summer Night

This song is pretty but the overbearing snare sound is disgusting. DELETE

Track 7 – Strange Things Happen

Tucked away in a bad Beach Boys album, ‘Strange Things Happen’ is surprisingly good. It’s almost power-pop, with a memorable chorus and some creative guitar. KEEPER

Track 8 – Remember Walking in the Sand

There’s a typically excellent Carl Wilson vocal on this cover of The Shangri-La’s classic. But the arrangement is a hot mess, with more saxophone, the tacky organ, and the bizarre backing vocals. DELETE

Track 9 – Lahaina Aloha

It’s a shame about the production, because there’s a gorgeous melody on ‘Lahaina Aloha’. Even the lyrics are pretty decent – if there’s a lost classic on this record, it’s this song. If you listen carefully, there’s some accordion from Smile collaborator Van Dyke Parks in the mix. KEEPER

Track 10 – Under the Boardwalk

Another superfluous oldies remake – it’s better than ‘Remember Walking in the Sand’, but it’s unnecessary. DELETE

Track 11 – Summer in Paradise

This ecologically conscious sermon is the kind of song you’d expect from a Mike Love project. His heart is in the right place, but it’s not nuanced enough to work as a song. The harmony arrangement on the “summer in paradise” hook is lovely though. DELETE

Track 12 – Forever

It’s a terrible idea to give Full House actor John Stamos the microphone on a remake of this 1970 Dennis Wilson classic. But it’s much better than I expected – Stamos is surprisingly similar to Wilson. The arrangement is tacky and the dramatic guitar solo doesn’t fit, but it still works fine. It’s an underappreciated song in the band’s catalogue, and I like them revisiting it. KEEPER

The Track Score is 4 of 12 Tracks or 33%.

I have reservations about even the best songs on Summer in Paradise – the tacky production is a particular issue. But there’s a handful of decent tracks here – with some better production and nicer arrangements, there’s a surprisingly strong four-track EP buried here. Summer in Paradise is tacky and full of bad ideas, but a handful of decent tunes and some trademark Beach Boys harmony vocals mean it’s far from the worst album of all time. Terry Melcher deserves some credit for contributing some good tunes to an otherwise doomed project.

*It’s beyond the scope of this review, but Love also gave his thoughts on levitation to Goldmine.

Why did I say defy gravity? Because in the practice of the TM city programs there’s sutras, where you develop the ability to levitate.

Have you ever levitated?

Yeah, I practiced doing this as part of my TM city programs.

And it’s worked?

Yeah, well, I mean we’re fledging hoppers. But the idea is with perfection of the mind and the body you can actually defy gravity. So it actually showed up in the song “Kokomo.” A hundred years from now people will be defying gravity as a normal course.

Mike Love, Interview with Goldmine, transcribed at https://troun.tripod.com/mikelove.html

Read More

24 Comments

  1. The worst BB album by far. Mike Love use to have some charisma but no talent at all. As we all know Brian Wilson was the great artist there. And then Dennis. Both missing here for different reasons.

    • It was actually better than I was expecting – I think Terry Melcher deserves some credit.

      It’s a shame Carl never wrote many songs for the band – the handful he wrote in the early 1970s (Feel Flows, The Trader. Long Promised Road) were great.

      • Yes. In retrospective is clear that the band was the muscle for Brian Wilson´s creativity. But if we want to be more wide, could have been the Brothers Wilson Band. The most significant members were them. Brian as main composer and very good singer, Dennis as the soul of the group and the only real “beach boy” apart from being a good composer too after learning from Brian, and Carl keeping all the group together and singing like a God. Even I don´t like Mike Love´s voice. Some credit for Al Jardine. But the Wilson´s could have survived without all the others. And is also clear that after 1973, the 95% of the best works were already done. By 1992 it was almost pathetic. Yes I like a bit the 2012 “That´s why God made the radio”, of course with Brian back again. Nothing new. Very retro. Pure nostalgia. But fun.

        • Yeah, you can basically tell a good 1970s Beach Boys album by how much Wilson stuff it has. I like Love You and L.A. (Light Album), but things certainly get patchy after Holland.

      • Smart Girls is outsider art. It’s better than the title track of Summer in Paradise. But if I was given the choice to listen to either Smart Girls or Summer in Paradise, I would question my life’s choices that led me to that situation.

        The rap battle of the century: Brian Wilson or Mike Love?

        • Man, is like asking if it is better Leonel Messi playing soccer / football or my little son. Or F1 driver Lewis Hamilton driving vs. my mom. Brian Wilson is one of the top composers / artist that appeared in the 60s, right there with The Beatles and a few more. Mike Love was lucky to be his cousin, extrovert and they say handsome (in those days it was important to sell albums and be in contact with the audience).

          • I think limiting it to their rapping ability evens the contest. I think Mike’s string of failed marriages and illegitimate children made him put a lot of pressure on Brian to make money.

  2. I wasn’t able to find this album on Spotify, as I wanted to give a few of the songs you panned a listen. It’s funny how some of these old bands and artists wanna keep putting out new music well into their geriatric years. It’s also hard to believe Brian Wilson just turned 80, and Mike Love is 81!

    • It’s on YouTube- I think it’s not on Spotify for a reason. Summer of Love is the worst song IMO, and the ‘Surfin” remake is the most unnecessary.

      It’s a shame they’re feuding – same with CSN. Two big American harmony bands but not very harmonious with each other.

Leave a Reply

About

Aphoristic Album Reviews is almost entirely written by one person. It features album reviews and blog posts across a growing spectrum of popular music.

Default image
Aphoristical View Profile
Graham Fyfe has been writing this website since his late teens. Now in his forties, he's been obsessively listening to albums for years. He works as a web editor and plays the piano.

Review Pages

Read about the discographies of musical acts from the 1960s to the present day. Browse this site's review archives or enjoy these random selections:

Blog Posts

I add new blog posts to this website every week. Browse the archives or enjoy these random selections: