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Suzanne Vega Albums: Ranked from Worst to Best

Singer-songwriter Suzanne Vega emerged in the mid-1980s after serving an apprenticeship in folk music in New York’s Greenwich Village. Her introspective and gentle songs were immediately successful at a time when singer-songwriters weren’t popular. Her first two albums spawned hits like ‘Marlene on the Wall’, ‘Luka’, and ‘Tom’s Diner’.

Ranking Vega’s albums is interesting, as her catalogue is remarkably even. She hasn’t made a particularly bad album, and while her 1980s albums often feature her strongest songs they’re weakened by dated textures and production.

Suzanne Vega Albums Ranked in Order of Excellence

#8 – Days of Open Hand

Vega spent two years touring 1987’s Solitude Standing, and was then pressured to quickly release a followup. Days of Open Hands often features unremarkable songs dressed up in ornate arrangements, as producer Anton Sarko and Vega use textures from all over the world. It’s still worth hearing strong tracks like ‘Tired of Sleeping’ and ‘Pilgrimage’.

#7 – Nine Objects of Desire

Vega’s second and final album with producer Mitchell Froom is romantic, often focusing on Vega and Froom’s recent marriage and the birth of their daughter. The titular nine objects of desire also include death and a plum! Nine Objects lacks the experimental edge of Vega’s previous collaboration with Froom. Instead, it focuses on a jazz-tinged sound, which doesn’t suit Vega’s gentle vocals, even though the folk-flavoured tracks like ‘World Before Columbus’are typically excellent.

#6 – Tales from the Realm of the Queen of Pentacles

Like Vega’s other 21st century albums, Tales has a clear theme. Vega had recently become interested in tarot reading, and songs like ‘Fool’s Complaint’ and ‘Portrait of the Knight of Wands’ are clearly themed around the cards. David Bowie alumni Gerry Leonard produces, co-writes most of the songs, and plays guitar. He’s a great foil for Vega, and his lead guitar on ‘Portrait’ is lovely while he also leads Vega towards a more rock-oriented sound on occasion. Tales and the next three albums on the list were tough to separate in terms of quality.

#5 – Songs in Red and Gray

Songs in Red and Gray is largely written about Vega’s divorce from Mitchell Froom. It’s the Vega album that sticks closest to the gentle folk-rock sound she’s known for. Vega’s portraits of relationship breakdown are nuanced and eloquent, and songs like ‘Penitent’ are among her best.

#4 – Beauty & Crime

Vega’s seventh studio album is themed around her home city of New York. There are stories of famous residents (‘Frank and Ava’) and personal tales, like her brother who survived 9/11 and then succumbed to alcoholism. Famous guests include Sonic Youth’s Lee Ranaldo on guitar and KT Tunstall on backing vocals.

#3 – Suzanne Vega

Singer-songwriters weren’t in vogue in the mid-1980s, and Vega had a tough time landing a recording contract. A&M expected her debut album to sell 30,000 copies – it sold a million. ‘Marlene on the Wall’ remains Vega’s biggest hit in the U.K. This album of simple, acoustic pieces is simple and unadorned, showing the influence Lou Reed had on Vega’s writing.

#2 – 99.9F°

On most of her albums, Vega struggles to thrive outside the intelligent folk-rock that fits her gentle voice. On 99.9F°, producer Mitchell Froom successfully makes her music work in other contexts. The clattering percussion of the title track and ‘Blood Makes Noise’, backed with Bruce Thomas’ creative bass lines, work nicely. It’s not all boundary pushing – songs like ‘Bad Wisdom’ and ‘In Liverpool’ are great examples of Vega’s usual folk-rock.

#1 – Solitude Standing

Vega’s second album is her most successful, opening with her two most famous songs, the a capella ‘Tom’s Diner’ and the child abuse examination of ‘Luka’. But it’s the wealth of great album tracks that makes Solitude Standing Vega’s best album – the multi-part ‘Ironbound/Fancy Poultry’, the gorgeous ‘Gypsy’ (written when Vega was 18), and the icy grandeur of the title track.

I’ve omitted Lover, Beloved: Songs from an Evening with Carson McCullers, Vega’s album of songs for her musical about author Carson McCullers.

How did your favourite Vega album fare? What’s your favourite Vega song?

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14 thoughts on “Suzanne Vega Albums: Ranked from Worst to Best Leave a comment

  1. Your number two would be my number one… but mostly because it’s the one with which I’m most familiar. She’s a helluva songwriter.

    Liked by 1 person

  2. I’ve mentioned in prior chats my “one degree of separation” from Vega’s band but have not really followed her career or music that closely. I really should. Not for that reason as such but just because I like her music. I ought to give some of these a spin.

    Liked by 1 person

      • I’ll give that one a spin. Yeah, my buddy’s Facebook page says “Works at Suzanne Vega.” It’s unclear to me if he still is. Last I heard he was working in a Broadway pit. Less life on the road.

        Liked by 1 person

  3. Luka is a great song no matter the commercial arrangements. And the other songs from Solitude Standing are very good too. I agree with you.
    Still, I believe that Tracy Chapman is a contemporary better artist.
    Regards from Montevideo, Uruguay.

    Liked by 1 person

    • Thanks for writing in! I never warmed to Luka that much – it’s a lot simpler than a lot of her stuff. I think she paved the way for Tracy Chapman. I think Tracy Chapman’s debut is maybe better than any individual Vega album, but Vega’s been very consistent over her career.


  4. Suzanne Vega produced some very interesting music and I have always enjoyed listening to her songs. She is complicated and musically diversified. Sometimes sonic disharmony, but somehow attractive and very interesting in terms of sound.

    Liked by 1 person

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