It’s easy to overlook Ween, as they often come across as a novelty band, and they’ve been overlooked by canonical works like 1001 Albums You Must Hear Before You Die and Pitchfork’s decade album lists. But as a music geek, it’s fun to see a band with an encyclopedic knowledge of popular music present loving tributes or scathing deconstructions of music from all different genres.
As a duo that often dabbles in parody music, The Flight Of The Conchords are an obvious comparison but Ween take everything further, with more extreme lyrics (they’re R13 where The Conchords are PG) and more musicality. Dean Ween is an excellent guitarist, while Gene Ween has a rich voice and his talents as a vocal chameleon allow Ween to access so many different styles. While humour is a focal point for Ween’s music, the songs generally stand on their own terms as enjoyable pieces.
Aaron Freeman met Mickey Melchiondo in their eighth grade typing class in 1984. They made several homemade albums before their first official release, GodWeenSatan: The Oneness in 1990. For their fourth album, 1994’s Chocolate and Cheese, they signed with Elektra, and had access to a proper recording studio and formed a full band. They released a string of worthwhile albums in the late 1990s and early 2000s, before running out of steam with 2007’s La Cucaracha. Gene Ween quit the band in 2012, launching a solo career and fronting a Billy Joel tribute show, before reforming the band in 2016.
#5 GodWeenSatan: The Oneness
The band’s debut album is jam-packed with ideas, and it’s my favourite of their lo-fi, early albums. There are all sorts of interesting directions explored – a lengthy Prince parody (‘L.M.L.Y.P.’), some self-mythologising (‘Up On The Hill’) – but my favourite is the opening number, a piece of hardcore punk that’s over-the-top silly but still effective.
#4 Chocolate and Cheese
After three lo-fi, home-made albums, Ween signed with Elektra and made music in a proper recording studio. As per usual, Chocolate and Cheese is a grab bag of styles, although the clearer sound serves to make Ween appear even more eclectic. ‘Freedom of ’76’ is Ween’s take on Philadelphia Soul, with the duo stealing Philadelphia’s Liberty Bell in the Spike Jonze directed music video.
After some professional sounding major label albums, Ween promised fans a return to their early “brown” sound for 2003’s Quebec. They were partially correct – there are songs like ‘Happy Coloured Marbles’ that recall the group’s early, stoned work. But as always, there are all sorts of eclectic treasures, like the excellent progressice rock of ‘The Argue’, and ‘I Don’t Want It’, a 1970s AOR flavoured rumination about lost love.
#2 White Pepper
White Pepper was about as safe as Ween ever got, smoothly produced and based around Beatles inspired pop music and 1970s radio fare like Jimmy Buffett and Steely Dan. But it’s still full of excellent songs, like the gently psychedelic ‘Flutes of Chi’, and the straightforward pop/rock of ‘Even If You Don’t’, with its video directed by South Park’s creators.
#1 The Mollusk
After 1996’s 12 Golden Country Greats, Ween created a maritime themed, progressive rock flavoured album that’s often regarded as their magnum opus. The fun starts with the bouncy show tune ‘I’m Dancing In The Show Tonight’, and barely lets up until the closing strains of the Celtic ‘She Wanted To Leave’. Highlights include ‘Mutilated Lips’, ‘ the progressive rock of ‘Buckingham Green’, and the crass Irish drinking song ‘The Blarney Stone’.
Do you enjoy the music of Ween? Do you have a favourite Ween album?